Oviedo, Spain
On 10 November, the Oviedo Philharmonic Foundation Orchestra takes the stage at the Auditorio Príncipe Felipe in Oviedo, Spain, under the direction of Pedro Ordieres. Joined by acclaimed violinist Giuseppe Gibboni, the orchestra celebrates the fiery brilliance and virtuosic legacy of Niccolò Paganini in an evening of passion, precision, and extraordinary musical expression.
With a career forged from the orchestral ranks and consolidated on the podium, Pedro Ordieres is defined by his rigorous technique and an interpretive sensitivity that bridges classical tradition with a profound commitment to contemporary creation. His dual perspective as a conductor and elite violinist provides him with a deep understanding of sonic architecture and a unique ability to connect with every section of the orchestra in an organic way.
Born in Oviedo into a prominent musical family, Pedro began his training under the guidance of his father, Alfonso Ordieres. After graduating from the Asturias Higher Conservatory of Music, his international trajectory led him to London, where he was a Scholar at the prestigious Royal College of Music. There, he refined his craft under world-renowned figures: Neil Thompson (conducting) and Itzhak Rashkovsky (violin performance).
Read MoreSince 2002, he has held a tenured position as Co-Principal Violin of the Asturias Symphony Orchestra (OSPA). This experience of over two decades at the symphonic frontline has served as the foundation for his conducting career, allowing him to internalize a vast repertoire and develop a leadership style rooted in a visceral understanding of the ensemble.
In his role as a principal conductor, he stands out for his work leading the University of Oviedo Orchestra since 2017, an ensemble he refounded and directed for nearly a decade. Under his baton, the orchestra performed over a hundred concerts and numerous educational projects, leaving a lasting mark on the cultural landscape of Asturias.
In September 2025, Pedro Ordieres was appointed Chief Conductor of the Oviedo Philharmonic Foundation Orchestra, solidifying his position as one of the most dynamic and respected conductors of his generation.
While he feels a particular affinity for the Classical repertoire—where his interpretations are acclaimed for their precision and emotional balance—Ordieres is a staunch advocate for the music of our time. He has championed and premiered works by award-winning composers such as Pablo Moras, José Nieto, Rubén Díez, José María Laborda, Raquel Rodríguez, Julio Aller, and Gabriel Ordás, among others. Furthermore, he carries out vital work in recovering Spanish symphonic heritage, reviving works by key figures such as Benjamín Orbón, María Rodrigo, and Manuel del Fresno.
As a guest conductor, he has led ensembles such as the Iberian Symphony Orchestra, the Siero Chamber Orchestra, Camerata L’Alcordanza, the Portugal Junior Music Festival (FMJ’18), and the OSPA (serving as Leader-Director).
His passion for music extends to pedagogy. He has collaborated with prominent youth orchestras, including the JOSPA (Asturias Youth Symphony), the Santander Youth Orchestra, and the ORA in Aragón, sharing his expertise with young talent at festivals and specialized courses.
Recent milestones include the premiere of the cantata Tres mujeres by Teo Montero Rey (libretto by Javier Almuzara) and the presentation of the chamber opera El Bicho by Julio Aller at the Auditorio de León—projects that reaffirm his dedication to the avant-garde and the promotion of national music.
Giuseppe Gibboni, regarded as one of the most extraordinary talents of his generation, is renowned for his prodigious technique, expressive depth, and remarkable interpretative maturity. In October 2021, he cap tured international attention by winning First Prize at the 56th “Premio Paganini” International Violin Com petition in Genoa — earning, in addition to the audience award, two special prizes for the best interpretations of Paganini’s Caprices and Concerto. He was the first Italian violinist in 24 years to win this prestigious competition.
Born into a family of musicians, he began studying the violin at a very young age under the guidance of his father, Daniele Gibboni. He graduated with top honors from the “Giuseppe Martucci” Conservatory in Saler no under the mentorship of Maestro Maurizio Aiello, quickly standing out for his natural virtuosity. At the age of 14, he was admitted to the Stauffer Academy in Cremona, where he studied with Salvatore Accardo, and later continued his training at the Chigiana Academy in Siena, where he received the Diploma of Honor. He also completed advanced studies at the Perosi Academy in Biella with Pavel Berman and at the Mozarteum University in Salzburg with Pierre Amoyal.
Read MoreHis victory at the Paganini Competition launched a career that rapidly took on an international dimension. He has collaborated with some of the world’s most prestigious orchestras, including the Orchestra of the Ac cademia Nazionale di Santa Cecilia conducted by Lorenzo Viotti, the Detroit Symphony Orchestra with Jader Bignamini, the Maggio Musicale Fiorentino Orchestra with Zubin Mehta, and the RAI National Symphony Or chestra. With the latter, he gave the Italian premiere of Wynton Marsalis’ Violin Concerto, working closely with the composer under the baton of John Axelrod. His repertoire spans the great Romantic concertos as well as contemporary works, showcasing both his exceptional versatility and deep artistic curiosity. In the current season, he made his debut under the baton of Maestro Riccardo Muti at the opening concert of the Ravenna Festival. Other major engagements include debuts with the Atlanta Symphony Orchestra, the Filarmonica della Scala under Michele Mariotti, the Tokyo Philharmonic in Dubai, the Beijing Symphony Orchestra, and the Seoul Arts Center. He performed Busoni’s Violin Concerto in Trieste in celebration of the centenary of the composer’s death, and toured the United States with the Teatro Carlo Felice of Genoa, performing Pa ganini’s Violin Concerto No. 1 under the direction of Donato Renzetti, with whom he also performed Tchaik ovsky’s Violin Concerto in Milan with the “Pomeriggi Musicali” Orchestra.
A featured artist supported by the Nippon Foundation, Giuseppe Gibboni performs on the 1722 Stradivari “Jupiter,” on loan from the foundation, the 1734 Stradivari “Lam – Ex Scotland University,” kindly provided by the CCI Foundation of New York, and a modern instrument by Luiz Amorim, a copy of the famed 1734 Guarneri del Gesù “Stauffer.”
Founded in 2025 under the auspices of the centenary Sociedad Filarmónica de Oviedo, the Oviedo Philharmonic Foundation Orchestra (OFFO) was born from the profound conviction that "music unites us." Under the artistic leadership of Music Director Pedro Ordieres, the ensemble serves as a vibrant space for encounter, where musicians from diverse backgrounds and generations share a common purpose: the pursuit of collective musical excellence.
The OFFO is a cornerstone of the Foundation’s cultural and educational mission, creating a dynamic platform where music is not merely heard but lived. Despite its recent inception, the orchestra has established a firm presence on the concert stage, having already collaborated with internationally acclaimed soloists such as cellist Maximilian Von Pfeil, harpist Miriam del Río, and pianist Domenico Codispoti.
Read MoreThe orchestra’s artistic vision is defined by its commitment to revitalizing the symphonic landscape. This is achieved through a dedicated focus on premiering contemporary works and recovering neglected or rare repertoire. This approach has earned the ensemble critical domestic praise; reviewers such as Jonathan Mallada have highlighted the orchestra’s fresh energy and interpretive depth, noting its ability to project the prestigious legacy of the Philharmonic Society into the future.
With a clear mandate for international projection, the OFFO is currently preparing for several major milestones, including its participation in the 39th National Festival of Spanish Music in León and an extensive concert tour of Portugal scheduled for 2026. The OFFO stands as a living, committed institution—an orchestra open to the future and dedicated to the transformative power of shared music.
