Grand Finale with Oxford Philharmonic
Oxford Philharmonic
Orchestra
Orchestra
Dubai, UAE
The 2024 InClassica International Music, organised by SAMIT Event Group, comes to a thundering close on Thursday 15th February, with a Grand Finale featuring the Oxford Philharmonic Orchestra and their Founder and Music Director, Marios Papadopoulos (UK), alongside South Korean/US violinist Elly Suh, Second Prize winner at the 2012 Naumburg International Violin Competition, and prizewinner at more than ten international competitions, including the 2015 Paganini International Violin Competition, and 2018 Leipzig International Bach Competition, amongst others. Presenting a packed programme of seminal favourites, the ensemble will open with the famous rousing Overture from Gioachino Rossini’s 1829 opera William Tell, before Suh joins them for a performance of Composer-in-Residence Alexey Shor’s Violin Concerto No. 4 in B minor, a work in three movements exhibiting all the hallmarks of Shor‘s characteristic lyrical and tonal approach to contemporary music. Finally, the evening, and InClassica 2024 itself, shall conclude with the resounding notes of Antonín Dvořák’s Symphony No. 9, ‘From the New World’, one of the most beloved and popular symphonies of all time. Composed while Dvořák was the director of the National Conservatory of Music of America, the work shows strong influences from traditional Native American and African-American spiritual songs, and was immediately an instant success upon its premiere at Carnegie Hall in 1893, before going on to delight concert-goers all around the world for more than 130 years.
Described by The London Times at his 1975 piano recital debut as having ‘all the attributes of one of the world’s greatest players’, Papadopoulos has gone on to enjoy an international career both as pianist and conductor.
He has appeared as soloist with and conducted many of the world’s greatest orchestras and worked with a host of eminent musicians including Vladimir Ashkenazy, Anne-Sophie Mutter, Janine Jansen, Evgeny Kissin, Maxim Vengerov, Martha Argerich and Lang Lang. His recordings of the Beethoven sonatas have been set on a level with Schnabel, Brendel, Barenboim and Wilhelm Kempff.
A prolific recording artist, Papadopoulos’s catalogue includes his critically acclaimed Beethoven sonatas, performances of Stravinsky’s Concerto with the Royal Philharmonic Orchestra and the 24 Preludes and Fugues by Shostakovich. He conducts the Oxford Philharmonic in recordings of the Brahms and Sibelius violin concertos with Maxim Vengerov as soloist. As a pianist, he and Vengerov have recorded the complete Brahms violin sonata.
In the summer of 2021, Papadopoulos published his first book – a memoir titled Beyond Dreams and Aspirations: My Journey to Oxford which charts his early career, the creation of the Oxford Philharmonic Orchestra, and his thoughts on musical interpretation.
Papadopoulos is dedicated to nurturing young talent and imparts knowledge to young artists through his vast experience, particularly during the annual Oxford Piano Festival which he founded in 1999. He served on the jury of the Leeds International Piano Competition in 2015, as well as that of the Henryk Wieniawski Violin Competition in 2016.
Marios Papadopoulos holds a doctorate in music and is a Fellow of Keble College, Oxford. In 2010 and was awarded Oxford City’s Certificate of Honour and in 2014 he was awarded an MBE in the Queen’s New Year’s Honours List for services to music in Oxford.
Praised as “a sensitive and absorbing interpreter” (Musical America), Korean-American violinist Elly Suh stands out as a performer whose musical charm, interpretative originality, and unique creative vision breathe fresh life to concert stages around the world.
Suh is celebrated as one of the leading Paganini interpreters of her generation, and is currently undertaking a major recording project of Niccolò Paganini’s 24 Caprices for Solo Violin. Reflecting her modern creative spirit and innovative approach to music, the Paganini Vault project is a narrative audio-visual album – serving as just one example of Suh’s subtle but compelling expansion of the traditional boundaries and expectations of classical music, as we move further into the 21st century.
Alongside her charming interpretations of the major works of the violin literature, Elly Suh is recognised as a major exponent of contemporary works for violin – in particular those by Mario Davidovsky, Ned Rorem, and Jörg Widmann. Herself a talented composer and musical arranger, Suh brings individuality and a unique creative voice to all her performances – often through newly composed cadenzas, improvisations, or orchestral arrangements of both known and unknown works. Her self-composed cadenza for Mozart’s Violin Concerto No.4 in the semi-finals of the Queen Elisabeth Competition for Violin, Belgium (2019) – which incorporated the Belgian National Anthem – was received with enormous popularity and wide critical acclaim, appearing on several major televised news channels.
Suh has been a regular on the competition circuit since 2012, when she took Second Prize at the Naumburg International Violin Competition, New York. Since then, she has gone on to take either the Grand Prix, Top Prizes, or Special Prizes at more than ten international competitions, including the Moscow International David Oistrakh Violin Competition, Russia (2013), Premio Paganini International Violin Competition, Italy (2015), Michael Hill International Violin Competition, New Zealand (2015), Leipzig International Bach Competition, Germany (2018), and the International Violin Competition of Indianapolis, USA (2018), amongst others.
Whilst studying in New York, Suh worked regularly as Guest Concertmaster with the American Ballet Theatre Orchestra. Now an international soloist, recent and forthcoming engagements include the Korean Chamber Orchestra, L’Orchestra della Fondazione Teatro Carlo Felice, Leipzig Pauliner Barockensemble, New York Classical Players, Orchestre Royal de Chambre de Wallonie, and the Lviv Virtuosos Chamber Orchestra. In concert, she has appeared on such stages as BOZAR Brussels, Carnegie Hall, and the Lincoln Center, and performed at the Salzburger Festspiele – the world’s premier classical music festival.
Born in Seoul in 1989, Suh first began violin lessons at the age of five. Instantly recognized as possessing a fiercely prodigious talent, she went on to enter The Juilliard School’s Pre-College Division in New York at just 10-years-old. Under the tutelage of eminent professors including Robert Mann, Joel Smirnoff, and Sally Thomas, she went on to obtain both her Bachelor’s Degree and her Masters of Music at The Juilliard School, before embarking on post-graduate studies at the Manhattan School of Music. Following this, Suh moved to Europe to undertake post-graduate studies at the Mozarteum University of Salzburg under the guidance of the celebrated violinist Pierre Amoyal.
Elly Suh lives in London, and plays on a Guarneri del Gesù violin on generous loan from an anonymous patron, through the kind assistance of Florian Leonhard Fine Violins.
Since 1998, the Oxford Philharmonic has brought exciting and inspirational classical music performances to Oxford and beyond. Praised as ‘remarkable’ by The Spectator, the Orchestra prides itself on creating exceptional and unique musical experiences, bringing new and engaging interpretations to well-loved works in the classical repertoire.
In June 2022 the Oxford Philharmonic made its Carnegie Hall debut, in a concert ‘enmeshed in soul-enriching playing’ (Oberon’s Grove) of ‘world-class quality’ (Blogcritics).
The Oxford Philharmonic Orchestra is dedicated to the highest standards of artistic excellence and musical integrity, and strives to create bold musical statements with every concert it presents. Its continual search for excellence is underpinned by the uncompromising standards of its Founder and Music Director Marios Papadopoulos and maintained by some of the finest musicians, whom ‘Papadopoulos has moulded into a stunning group’ (ConcertoNet).
The Oxford Philharmonic attracts some of the world’s greatest artists to appear in concert, including Maxim Vengerov, Angela Gheorghiu, Sir Antonio Pappano, Anne-Sophie Mutter, Martha Argerich, Sir András Schiff, Lang Lang, Vladimir Ashkenazy, Evgeny Kissin and Sir Bryn Terfel.
In addition to its annual concert season in Oxford, touring performances across the UK, family concerts, annual Oxford Piano Festival, and Chamber Music Series, the Orchestra is proud to present a growing list of international engagements including its debut at the Tivoli Festival in Copenhagen in June 2019, US debut at Carnegie Hall in June 2022, Munich with pianist Martha Argerich in April 2023, and Haydn’s The Creation in September 2023 at St Thomas Church Fifth Avenue New York, joined by the Choir of Merton College.
The Oxford Philharmonic was appointed the Orchestra in Residence at the University of Oxford in 2002, the first relationship of its kind between an orchestra and a higher education institution.
World-renowned violinist Maxim Vengerov became the Oxford Philharmonic’s first ever Artist in Residence following his remarkable debut with the Orchestra in 2013. Over an unprecedented four-season collaboration, Vengerov performed with the Orchestra across the UK, recorded the violin concertos of Brahms and Sibelius as well as Mendelssohn’s Octet. In July 2018 Vengerov appeared at Cheltenham Music Festival and Saffron Hall with the Soloists of the Oxford Philharmonic – a tight-knit group of musicians described by Jessica Duchen as ‘a line-up to match any top-notch international chamber ensemble and probably beat them on their own turf’.
In February 2023 the Orchestra celebrates its 25th anniversary in a special concert at the Barbican with Maxim Vengerov playing Mendelssohn Violin Concerto and a new commission from John Rutter.
In December 2020, the Orchestra recorded a concert in a tribute to all those working on developing a vaccine for Covid-19 at the University of Oxford, including the world premiere of John Rutter’s Joseph’s Carol, commissioned by the Orchestra for the occasion. In addition to Rutter, the Orchestra were joined in their tribute by Sir Bryn Terfel and the Choir of Merton College, Oxford. The film was presented by John Suchet, and also included a special performance by Maxim Vengerov alongside tributes from Anne-Sophie Mutter, Vice-Chancellor of the University of Oxford Louise Richardson, and the Orchestra’s Royal Patron HRH Princess Alexandra.
The Oxford Philharmonic Orchestra has been firmly committed to outreach work from its earliest days, with projects taking music to areas of social and economic disadvantage, including hospitals, special schools, and partnerships with Oxford City Council and Oxfordshire County Council. In December 2021 the Orchestra’s Sub-Principal Violin Jamie Hutchinson was awarded the prestigious Salomon Prize, a joint prize between the Royal Philharmonic Society (RPS) and Association of British Orchestras (ABO), in recognition of the educational initiatives she spearheaded with the Orchestra’s education team during the pandemic.
As Orchestra in Residence at the University of Oxford, the Oxford Philharmonic frequently collaborates with the Faculty of Music in educational programmes with various tuition and performance opportunities for talented young musicians, including the Side-by-Side scheme, which provides an opportunity for young musicians to perform within the ranks of a professional orchestra.
The Oxford Philharmonic has appeared on several recordings including works by Nimrod Borenstein for Chandos, cello concertos by Shostakovich and Mats Lidström (Solo Cello of the Oxford Philharmonic), both conducted by Vladimir Ashkenazy, on BIS Records, A Merton Christmas with the Choir of Merton College, Haydn’s The Creation with the Choir of New College, and the Handel/Mendelssohn Acis and Galatea with Christ Church Cathedral Choir. The Orchestra’s most recent disc The Enlightened Trumpet with soloist Paul Merkelo was released on Sony Classical in September 2019.
A partnership with J & A Beare provides the Orchestra’s distinguished members with opportunities to play on Stradivari instruments, adding a new dimension to the sound of the Orchestra.
The Orchestra and its Music Director were awarded the City of Oxford’s Certificate of Honour in 2013, in recognition of their contribution to education and performance in Oxford.
