Carpe Diem!
Oxford Philharmonic
Orchestra
Orchestra
Dubai, UAE
This Tuesday 13th February, the Oxford Philharmonic Orchestra and Spanish conductor Lucas Macías will be teaming up with Belgian violinist Marc Bouchkov, the First prize winner of the Montreal International Violin Competition, silver medallist of the Tchaikovsky International Violin Competition and recipient of the London Music Masters Award and Kulturstiftung Dortmund music prize, who will be arriving in Dubai for a concert presented as part of the 2024 InClassica International Music Festival, organised by SAMIT Event Group. The evening opens with the famed Overture from Wolfgang Amadeus Mozart’s 1786 opera The Marriage of Figaro, widely considered as one of the finest examples of the genre. Next comes Composer-in-Residence Alexey Shor’s Violin Concerto No. 6, ‘Carpe Diem’, a rich and expressive work full of lush melodies and sublime orchestration. As its name implies, the work is an optimistic and lively piece expounding a powerful zest for life, with a highly virtuosic finale that brings all the versatility of the violin to the fore. Finally, the orchestra will present Antonín Dvořák’s Symphony No. 8, an uncharacteristically cheerful and optimistic work from the Czech composer that was met with immediate critical and popular acclaim upon its premiere in Prague on the 2nd February 1890, which was conducted by Dvořák himself.
Lucas Macías is the new artistic director of the Orquesta Ciudad de Granada, and at the same time Chief Conductor of the Oviedo Filarmonía since 2018.
The season will begin with a Beethoven program with the Orques
ta Ciudad de Granada. He will then conduct the production of Simon Boccanegra by Giuseppe Verdi at the Teatro Cervantes in Malaga together with Carlos Álvarez and the Filármonica de Málaga. Later we will see him together with the Sinfónica de Tenerife, and then in Oviedo, where together with the Oviedo Filarmonía, during the months of November and December, they will pay tribute to the German composer Ludwig van Beethoven, with his ninth symphony, the complete work by Egmont and finally, the opera Fidelio.
Among his upcoming debuts are the Real Orquesta Sinfónica de Sevilla, the National Youth Orchestra of Spain, the Youth Orchestra of the Canary Islands, etc.
Lucas Macías made his conducting debut at the Teatro Colón in Buenos Aires in 2014 following an exceptional career as one of the world’s leading oboists –a former principal of the Royal Concertgebouw Orchestra and the Lucerne Festival Orchestra as well as founding member of Claudio Abbado’s Orchestra Mozart under whose mentorship he gleaned a deep knowledge and understanding of both chamber and symphonic repertoire.
Previous season’s highlights include concerts with Swedish Radio Orchestra, Orchestre de Chambre de Lausanne, Orchestre de Paris – where he worked closely with Daniel Harding for two years as Assistant Conductor, – Filarmónica de Buenos Aires, Orchestre de Cannes, Het Gelders Orkest, Castilla León Symphony Orchestra (OSCyL), Real Filharmonía de Galicia among others.
Lucas Macías Navarro began his musical studies at the age of 9 and was later accepted in Heinz Holliger's oboe class at Freiburg University. He continued his studies at the Karajan Academy of the Berlin Philharmonic, and in Geneva with Maurice Bourgue. He has won several competitions, including the 2006 International Oboe Competition of Japan. He has made many recordings with Claudio Abbado on Deutsche Grammophon, Claves Music and Euroarts.
He studied conducting at the Music University in Vienna with Mark Stringer and he is Professor at the Hochschule für Musik Freiburg.
Belgian violinist of Russian heritage, Mr. Bouchkov is a sophisticated musician of impeccable aplomb and has carved an international career performing with leading orchestras and conductors across Europe. He is one of the most multifaceted and unique artists of the new generation. His orchestral appearances include performances with the Mariinsky Theater Symphony Orchestra and Valery Gergiev, the HR-Sinfonieorchester and Christoph Eschenbach, the Royal Concertgebouw Orchestra and Mariss Jansons, the Munich Philharmonic Orchestra and Philippe Jordan. He has also appeared with the NDR-Sinfonieorchester Hamburg, Hessische Rundfunk Orchestra, Tonhalle Orchester Zürich, the Orchestre National de Belgique, the Orchestra Sinfonica Nazionale RAI in Turin, the Stavanger Symphony Orchestra, the Royal Philharmonic Orchestra of Liège, the Moscow Philharmonic Orchestra, the Orchestra di Milano Giuseppe Verdi, and the Verbier Festival Chamber Orchestra among others, collaborating with conductors such as Stanislav Kochanovsky, Michael Sanderling, Andrey Boreyko, Nikolaj Szeps-Znaider, Dmitry Liss, Christian Arming, Lionel Bringuier, Maxim Vengerov, James Judd, to name but a few.
As an active recitalist, Mr. Bouchkov has performed in many of the world’s most prestigious concert halls such as Wigmore Hall, Carnegie Hall, Amsterdam’s Concertgebouw, Elbphilharmonie Hamburg, Dresden Frauenkirche, Concert Hall of St. Petersburg, Tonhalle Zürich, Munich’s Prinzregententheater, Paris’ Theatre de la Ville, Maison de Radio France, and the Konzerthaus in Berlin among several other venues. A fine chamber musician, he is a regular guest of the Verbier Festival in Switzerland.
Highlights of Mr. Bouchkov’s 2020/2021 season included appearances with Valery Gergiev and the orchestra of the Mariinsky Theater, Philippe Jordan and the Munich Philharmonic, Nikolaj Szeps-Znaider and the Brussels Philharmonic Orchestra, Stanislav Kochanovsky and the Hessische Rundfunk Orchestra, Gábor Takács-Nagy and the Verbier Festival Orchestra, as well as recitals and concerts at the Elbphilharmonie Hamburg, Konzerthaus in Berlin, and the Schubertiade in Hohenems. After a bunch of very successful concerts at the Verbier Festival 2021 in Switzerland, and in Montenegro and Greece, Mr. Bouchkov performed with pianist Mao Fujita in Latvia, at the Riga Jurmala Music Festival, and in Georgia at the Tsinandali Festival, where he played five different programs including performances with the pianist and conductor Lahav Shani and with cellist Mischa Maisky. In Autumn 2021 he was invited to perform at the Concertgebouw in Amsterdam with the Netherlands Philharmonic Orchestra under the baton of Ludovic Morlot, followed immediately after by an invitation to be ‘artist in residence’ of the orchestra in 2022/2023. During the season 2021/2022 he will appear again with the Mariinsky Theater Symphony Orchestra and Valery Gergiev at the Philharmonie de Paris, and with the Orchestra National de Lille, the Belgrade Philharmonic Orchestra, the Orchestre Philharmonique Royal de Liège, Orchestre de l’Opéra National de Lorraine, among others.
Marc Bouchkov’s first recording by Harmonia Mundi is of special significance since it includes two world première pieces by Eugéne Ysaÿe, and two works composed by himself. The album was awarded a Diapason d’Or and a Diapason Découverte as well as nominated for the ICMA 2018 and received tremendous acclaim on Gramophone reviews. The English magazine featured him as “One to Watch “.
Marc Bouchkov’s artistic development has been marked by a string of international awards. He won the first prize at the Montreal International Violin Competition and he is a silver medallist of the Tchaikovsky International Violin Competition. He received the London Music Masters Award, and recently, he has been honored with the music prize of the Kulturstiftung Dortmund.
Marc Bouchkov was born into a family of violinists. He received his first lessons at the age of five from his grandfather. Studies with Claire Bernard and Boris Garlitsky followed. With Mihaela Martin, Marc developed as a Young Soloist in a postgraduate course at the Kronberg Academy. Since October 2018 he is under the musical tutorship of Eduard Wulfson.
Mr. Bouchkov currently serves as professor on the faculty of the Conservatoire Royale de Liège (BE) and the International Music Academy in Liechtenstein. From 2017 to 2019 he taught at the Kronberg Academy (DE) as Artistic Assistant.
Marc Bouchkov plays a Carlo and Michelangelo Bergonzi violin from 1742-44 as a private loan on behalf of Edwulstrad RMIC Ltd.
Since 1998, the Oxford Philharmonic has brought exciting and inspirational classical music performances to Oxford and beyond. Praised as ‘remarkable’ by The Spectator, the Orchestra prides itself on creating exceptional and unique musical experiences, bringing new and engaging interpretations to well-loved works in the classical repertoire.
In June 2022 the Oxford Philharmonic made its Carnegie Hall debut, in a concert ‘enmeshed in soul-enriching playing’ (Oberon’s Grove) of ‘world-class quality’ (Blogcritics).
The Oxford Philharmonic Orchestra is dedicated to the highest standards of artistic excellence and musical integrity, and strives to create bold musical statements with every concert it presents. Its continual search for excellence is underpinned by the uncompromising standards of its Founder and Music Director Marios Papadopoulos and maintained by some of the finest musicians, whom ‘Papadopoulos has moulded into a stunning group’ (ConcertoNet).
The Oxford Philharmonic attracts some of the world’s greatest artists to appear in concert, including Maxim Vengerov, Angela Gheorghiu, Sir Antonio Pappano, Anne-Sophie Mutter, Martha Argerich, Sir András Schiff, Lang Lang, Vladimir Ashkenazy, Evgeny Kissin and Sir Bryn Terfel.
In addition to its annual concert season in Oxford, touring performances across the UK, family concerts, annual Oxford Piano Festival, and Chamber Music Series, the Orchestra is proud to present a growing list of international engagements including its debut at the Tivoli Festival in Copenhagen in June 2019, US debut at Carnegie Hall in June 2022, Munich with pianist Martha Argerich in April 2023, and Haydn’s The Creation in September 2023 at St Thomas Church Fifth Avenue New York, joined by the Choir of Merton College.
The Oxford Philharmonic was appointed the Orchestra in Residence at the University of Oxford in 2002, the first relationship of its kind between an orchestra and a higher education institution.
World-renowned violinist Maxim Vengerov became the Oxford Philharmonic’s first ever Artist in Residence following his remarkable debut with the Orchestra in 2013. Over an unprecedented four-season collaboration, Vengerov performed with the Orchestra across the UK, recorded the violin concertos of Brahms and Sibelius as well as Mendelssohn’s Octet. In July 2018 Vengerov appeared at Cheltenham Music Festival and Saffron Hall with the Soloists of the Oxford Philharmonic – a tight-knit group of musicians described by Jessica Duchen as ‘a line-up to match any top-notch international chamber ensemble and probably beat them on their own turf’.
In February 2023 the Orchestra celebrates its 25th anniversary in a special concert at the Barbican with Maxim Vengerov playing Mendelssohn Violin Concerto and a new commission from John Rutter.
In December 2020, the Orchestra recorded a concert in a tribute to all those working on developing a vaccine for Covid-19 at the University of Oxford, including the world premiere of John Rutter’s Joseph’s Carol, commissioned by the Orchestra for the occasion. In addition to Rutter, the Orchestra were joined in their tribute by Sir Bryn Terfel and the Choir of Merton College, Oxford. The film was presented by John Suchet, and also included a special performance by Maxim Vengerov alongside tributes from Anne-Sophie Mutter, Vice-Chancellor of the University of Oxford Louise Richardson, and the Orchestra’s Royal Patron HRH Princess Alexandra.
The Oxford Philharmonic Orchestra has been firmly committed to outreach work from its earliest days, with projects taking music to areas of social and economic disadvantage, including hospitals, special schools, and partnerships with Oxford City Council and Oxfordshire County Council. In December 2021 the Orchestra’s Sub-Principal Violin Jamie Hutchinson was awarded the prestigious Salomon Prize, a joint prize between the Royal Philharmonic Society (RPS) and Association of British Orchestras (ABO), in recognition of the educational initiatives she spearheaded with the Orchestra’s education team during the pandemic.
As Orchestra in Residence at the University of Oxford, the Oxford Philharmonic frequently collaborates with the Faculty of Music in educational programmes with various tuition and performance opportunities for talented young musicians, including the Side-by-Side scheme, which provides an opportunity for young musicians to perform within the ranks of a professional orchestra.
The Oxford Philharmonic has appeared on several recordings including works by Nimrod Borenstein for Chandos, cello concertos by Shostakovich and Mats Lidström (Solo Cello of the Oxford Philharmonic), both conducted by Vladimir Ashkenazy, on BIS Records, A Merton Christmas with the Choir of Merton College, Haydn’s The Creation with the Choir of New College, and the Handel/Mendelssohn Acis and Galatea with Christ Church Cathedral Choir. The Orchestra’s most recent disc The Enlightened Trumpet with soloist Paul Merkelo was released on Sony Classical in September 2019.
A partnership with J & A Beare provides the Orchestra’s distinguished members with opportunities to play on Stradivari instruments, adding a new dimension to the sound of the Orchestra.
The Orchestra and its Music Director were awarded the City of Oxford’s Certificate of Honour in 2013, in recognition of their contribution to education and performance in Oxford.
