A Romantic Journey
Oxford Philharmonic
Orchestra
Orchestra
Dubai, UAE
South Korean pianist Yekwon Sunwoo, Gold medallist at the Fifteenth Van Cliburn International Piano Competition and multiple First Prize Winner at numerous other international competitions, shall be gracing Dubai’s classical music scene on Sunday 11th February, delivering a concert as part of the 2024 InClassica International Music Festival, organised by SAMIT Event Group. Joining him on stage shall be the Oxford Philharmonic Orchestra, led by German conductor Christoph Poppen, who will open the evening with Felix Mendelssohn’s The Hebrides, a concert overture first composed in 1830 which was inspired by the composer’s visit to the British Isles. In a similar vein, this will be followed by Composer-in-Residence Alexey Shor’s Suite for piano and orchestra No. 1 ‘Travel Notebook’ whose composition was also motivated by a series of international trips undertaken by the composer. In fact, the concerto functions as a musical diary of sorts, taking audiences on a musical journey to far-flung corners of the world across its seven movements, and reflecting Shor’s impressions and inspirations during his travels. Sunwoo shall then depart the stage, leaving Poppen and the orchestra to conclude with Johannes Brahms’ Symphony No. 2 in D major, a cheery, light-hearted work that was written in the summer of 1877 while the composer was enjoying a holiday in the Austrian province of Carinthia.
From the outset of his conducting career, the name of Christoph Poppen has been internationally recognised and synonymous for innovative and original programming and commitment across all genres of classical music. A frequent guest conductor, he has worked with orchestras such as Deutsches Symphonie-Orchester Berlin, Staatskapelle Dresden, Bamberger Symphoniker, Orchestre Philharmonique de Radio France, Wiener Symphoniker, Orquestra Sinfônica do Estado de São Paulo, New Japan Philharmonic, and also enjoys longstanding artistic relationships with important orchestras such as Seoul Philharmonic Orchestra, Residentie Orchestra, Netherlands Philharmonic, KBS Symphony Orchestra, to name just a few.
In the 2022/23 season, Christoph Poppen continues his highly successful collaborations with the Kölner Kammerorchester in his role as Principal Conductor and as Principal Guest Conductor of both Hong Kong Sinfonietta and Israel Chamber Orchestra. Other highlights include an engagement with Orquestra Sinfónica do Porto Casa da Música and return visits to Deutsche Radiophilharmonie Saarbrücken Kaiserslautern, Münchener Kammerorchester, Athens State Orchestra, and the continuation of his recorded cycle of the complete Mozart Masses with Kölner Kammerorchester for Naxos.
In the field of opera, he very successfully led a production of Die Entführung aus dem Serail at Aalto Theatre in Essen and performances of Gluck’s Iphigénie en Aulide at Staatsoper Stuttgart. In 2016 he returned to the Teatro Carlo Felice in Genoa for a production of Don Giovanni. He conducted performances of Les pêcheurs de perles at Oper Frankfurt – which led to an immediate re-invitation for Die Zauberflöte – and created the new production of Sing For Me, Death by composer Claude Vivier with the RuhrTriennale company in Gelsenkirchen. In 2017 he conducted Weber’s Oberon in concert version at Opera Köln.
Over the years, Christoph Poppen has held a number of significant Directorships in Germany. From 1995 to 2006, he was Artistic Director of the Münchener Kammerorchester, establishing the ensemble’s new profile in a short period of time. His distinctive programmes, based on a contrast of classical and contemporary music with many commissioned works, met with huge success. In August 2006, he was appointed Music Director of the Radio Symphony Orchestra Saarbrücken, and from 2007 until 2011 he was the Music Director of the newly formed Deutsche Radiophilharmonie Saarbrücken Kaiserslautern.
Under his artistic leadership the Festival Internacional de Música de Marvão (Portugal) has grown to become a highly successful and award-winning musical happening featuring soloists such as Jörg Widmann, Augustin Hadelich, Javier Perianes and Clara-Jumi Kang. Between 2020 and 2022 he was also Artistic Director of the Classic Revolution Festival in Seoul, South Korea, for which he curated highly inventive programmes and united many of the best international artists from Korea and the West, for performances exclusively at the Lotte Concert Hall.
Christoph Poppen has been Professor of Violin and Chamber Music at the Hochschule für Musik in Detmold, and later at the Hanns Eisler Hochschule für Musik in Berlin, where he was President from 1996 through 2000. From 2001 through to 2005, Christoph Poppen was Artistic Director of the renowned ARD International Music Competition. Since 2003, he has held a post as professor for Violin and Chamber Music at the Hochschule für Musik und Theater in Munich. In 2019, he founded the International Academy for Music, Arts and Science in Marvão/Portugal, and since the 2021/22 academic year, Chair Professor of Violin at the prestigious Escuela Superior de Música Reina Sofía in Madrid.
Gold medallist of the Fifteenth Van Cliburn International Piano Competition, Yekwon Sunwoo has been hailed for his “unfailingly consistent excellence” (International Piano) and celebrated as “a pianist who commands a comprehensive technical arsenal that allows him to thunder without breaking a sweat” (Chicago Tribune). A powerful and virtuosic performer, he also, in his own words, “strives to reach for the truth and pure beauty in music”.
The first Korean to win Cliburn Gold, Yekwon’s 19/20 season includes appearances with Fort Worth and Tuscon Symphonies and the Bucheon Philharmonic and debuts with Washington Chamber Orchestra, Royal Danish Orchestra and Danish Radio Orchestra amongst others as well as a debut appearance at the Vail Festival with Dallas Symphony. Recital highlights include Four Season Arts, San Antonio Arts and the Stadttheater Aschaffenburg. 20/21 will see Yekwon make his debut with Orchestra Chambre de Paris and Tugan Sokhiev and return to KBS Symphony with Jaap Van Zweeden.
In previous seasons, he has performed as soloist with the Baltimore Symphony Orchestra under Marin Alsop, Houston Symphony, National Orchestra of Belgium, Sendai Philharmonic and Royal Scottish National Orchestra amongst others. Recital appearances include Carnegie Hall, Wigmore Hall, Elbphilharmonie, Salle Cortot and Kumho Art Hall.
An avid chamber musician, Yekwon’s collaborators include Benjamin Beilman, Linus Roth, Andrei Ioniță, Sebastian Bohren, Isang Enders, Tobias Feldmann, Gary Hoffman, Anne-Marie McDermott and the Jerusalem and Brentano Quartets. He has also toured Costa Rica, Guatemala and Panama with the Kumho Asiana Cultural Foundation, performed at Chamber Music of Lincoln Center’s Inside Chamber Music Lectures and been invited to the Summit Music, Bowdoin International and Toronto Summer Music Festivals.
In addition to the Cliburn Gold Medal, Yekwon won first prizes at the 2015 International German Piano Award, the 2014 Vendome Prize held at the Verbier Festival, the 2013 Sendai International Music Competition and the 2012 William Kapell International Piano Competiton.
Born in Anyang, South Korea, Yekwon began learning the piano at the age of 8 and made his recital and orchestral debuts in Seoul at 15. His teachers include Seymour Lipkin, Robert McDonald, Richard Goode and Bernd Goetzke.
In 2017, Decca Gold released Cliburn Gold 2017 two weeks after Yekwon was awarded the Gold Medal and includes his award-winning performances of Ravel’s La Valse and Rachmaninov’s Second Piano Sonata.
A self-proclaimed foodie, Yekwon enjoys finding Pho in each city he vists and takes pride in his own homemade Korean soups.
Since 1998, the Oxford Philharmonic has brought exciting and inspirational classical music performances to Oxford and beyond. Praised as ‘remarkable’ by The Spectator, the Orchestra prides itself on creating exceptional and unique musical experiences, bringing new and engaging interpretations to well-loved works in the classical repertoire.
In June 2022 the Oxford Philharmonic made its Carnegie Hall debut, in a concert ‘enmeshed in soul-enriching playing’ (Oberon’s Grove) of ‘world-class quality’ (Blogcritics).
The Oxford Philharmonic Orchestra is dedicated to the highest standards of artistic excellence and musical integrity, and strives to create bold musical statements with every concert it presents. Its continual search for excellence is underpinned by the uncompromising standards of its Founder and Music Director Marios Papadopoulos and maintained by some of the finest musicians, whom ‘Papadopoulos has moulded into a stunning group’ (ConcertoNet).
The Oxford Philharmonic attracts some of the world’s greatest artists to appear in concert, including Maxim Vengerov, Angela Gheorghiu, Sir Antonio Pappano, Anne-Sophie Mutter, Martha Argerich, Sir András Schiff, Lang Lang, Vladimir Ashkenazy, Evgeny Kissin and Sir Bryn Terfel.
In addition to its annual concert season in Oxford, touring performances across the UK, family concerts, annual Oxford Piano Festival, and Chamber Music Series, the Orchestra is proud to present a growing list of international engagements including its debut at the Tivoli Festival in Copenhagen in June 2019, US debut at Carnegie Hall in June 2022, Munich with pianist Martha Argerich in April 2023, and Haydn’s The Creation in September 2023 at St Thomas Church Fifth Avenue New York, joined by the Choir of Merton College.
The Oxford Philharmonic was appointed the Orchestra in Residence at the University of Oxford in 2002, the first relationship of its kind between an orchestra and a higher education institution.
World-renowned violinist Maxim Vengerov became the Oxford Philharmonic’s first ever Artist in Residence following his remarkable debut with the Orchestra in 2013. Over an unprecedented four-season collaboration, Vengerov performed with the Orchestra across the UK, recorded the violin concertos of Brahms and Sibelius as well as Mendelssohn’s Octet. In July 2018 Vengerov appeared at Cheltenham Music Festival and Saffron Hall with the Soloists of the Oxford Philharmonic – a tight-knit group of musicians described by Jessica Duchen as ‘a line-up to match any top-notch international chamber ensemble and probably beat them on their own turf’.
In February 2023 the Orchestra celebrates its 25th anniversary in a special concert at the Barbican with Maxim Vengerov playing Mendelssohn Violin Concerto and a new commission from John Rutter.
In December 2020, the Orchestra recorded a concert in a tribute to all those working on developing a vaccine for Covid-19 at the University of Oxford, including the world premiere of John Rutter’s Joseph’s Carol, commissioned by the Orchestra for the occasion. In addition to Rutter, the Orchestra were joined in their tribute by Sir Bryn Terfel and the Choir of Merton College, Oxford. The film was presented by John Suchet, and also included a special performance by Maxim Vengerov alongside tributes from Anne-Sophie Mutter, Vice-Chancellor of the University of Oxford Louise Richardson, and the Orchestra’s Royal Patron HRH Princess Alexandra.
The Oxford Philharmonic Orchestra has been firmly committed to outreach work from its earliest days, with projects taking music to areas of social and economic disadvantage, including hospitals, special schools, and partnerships with Oxford City Council and Oxfordshire County Council. In December 2021 the Orchestra’s Sub-Principal Violin Jamie Hutchinson was awarded the prestigious Salomon Prize, a joint prize between the Royal Philharmonic Society (RPS) and Association of British Orchestras (ABO), in recognition of the educational initiatives she spearheaded with the Orchestra’s education team during the pandemic.
As Orchestra in Residence at the University of Oxford, the Oxford Philharmonic frequently collaborates with the Faculty of Music in educational programmes with various tuition and performance opportunities for talented young musicians, including the Side-by-Side scheme, which provides an opportunity for young musicians to perform within the ranks of a professional orchestra.
The Oxford Philharmonic has appeared on several recordings including works by Nimrod Borenstein for Chandos, cello concertos by Shostakovich and Mats Lidström (Solo Cello of the Oxford Philharmonic), both conducted by Vladimir Ashkenazy, on BIS Records, A Merton Christmas with the Choir of Merton College, Haydn’s The Creation with the Choir of New College, and the Handel/Mendelssohn Acis and Galatea with Christ Church Cathedral Choir. The Orchestra’s most recent disc The Enlightened Trumpet with soloist Paul Merkelo was released on Sony Classical in September 2019.
A partnership with J & A Beare provides the Orchestra’s distinguished members with opportunities to play on Stradivari instruments, adding a new dimension to the sound of the Orchestra.
The Orchestra and its Music Director were awarded the City of Oxford’s Certificate of Honour in 2013, in recognition of their contribution to education and performance in Oxford.
