TURKISH EVENING WITH PIANO LEADER FAZIL SAY
BERLIN SYMPHONY
ORCHESTRA
ORCHESTRA
Dubai, UAE
On Wednesday 18th May, the InClassica International Music Festival welcomes back the legendary Turkish pianist, Fazıl Say, for a performance of Beethoven’s Piano Concerto No. 3, as part of a programme also including Weber’s Oberon overture and Beethoven’s first symphony in C Major. This concert features the Berlin Symphony Orchestra conducted by Marius Stravinsky, and is proudly presented by SAMIT Event Group.
Stravinsky looks to be a major talent. (Music OMH) Stravinsky’s approach lent the music special change. (BachTrack) Born in Kazakhstan to a musical family Marius Stavinsky began playing the violin when he was four-years old. Educated at the Moscow Central Music School and the Yehudi Menuhin school, he went on to become the first former Soviet student to secure a scholarship to Eton College. He graduated from the Royal Academy of Music, London, in 2002. Stavinsky’s passion for conducting began aged 13 after playing the Brunch Violin Concerto for Mariss Jamsons - now one of his regular conducting mentors.
In 1998 he spent a summer assisting Claudio Abbado in Peter Brook’s production of Don Giovanni at the Festival d’Aix-en-Provence, and his studies at the Royal Academy were led by Igor Golovchin and Thomas Sanderling, with masterclasses from Kenneth Kiesler and Eri Klas.
From 2002-2005, Stravinsky returned to Moscow to study conducting with Vladimir Ponkin, working as his Assistant Conductor in both the Moscow Philharmonic Orchestra and the Helikon Opera. Whilst resident at Helikon Opera, his performances included fully staged productions of Berg (Lulu), Bizet (Carmen), Giorgdano (Siberia), Poulenc (Les Dialogue des Carmelites), Prokofiev (The Story of a Real Man), Rimsky-Korsakov (Kaschei the Immortal), Shostakovich (Lady Macbeth of the Mtensk District), and works by his forebear Igor Stravinsky (such as Mavra).
In 2007, Stravinsky was awarded the position of Chief Conductor & Artistic Director of the Karelia Philharmonic Orchestra, becoming the youngest conductor in Russia to hold such a post. Following his five-year tenure in this role, he then – at the personal invitation of Vladimir Jurowski – took up the position of Assistant Conductor of the London Philharmonic Orchestra for the 2013/2014 season. Since then he has gone on to work with top orchestras around the world, including the Royal Philharmonic Orchestra, the Philharmonia, Deutsche Oper Berlin, the Berlin Staatskapelle, Queensland Symphony, and Tokyo Opera Philharmonic.
Stravinsky enjoys a particularly strong profile in Russia, working with top orchestras and institutions including the Russian National Orchestra, Russian Philharmonic, and the St. Petersburg Symphony Orchestra. He regularly conducts at the Mariinsky Theatre (both in symphonic concerts and operatic performances), and enjoys a close collaboration with the State Academic Symphony Orchestra of Russia ‘Evgeny Svetlanov’ (GASO).
Stravinsky boasts a diverse repertoire, and a discography that includes world premiere recordings of Ignaz Brüll’s Violin Concerto and Symphony in E minor, Salomon Jadassohn’s Symphony No.1, and Pavel Pabst’s Piano Concerto, on the Cameo Classics Label. During his tenure as Chief Conductor & Artistic Director, Stravinsky also released recordings of major works by Thomas Blower, Dororthy Howell, Joseph Holbrooke and Sergey Zhukov with the Karelia Philharmonic Orchestra.
Resident in Berlin, Stravinsky also spends time in St. Petersburg, where during the 2016/2017 season he became Founder & Music Director of the St. Petersburg Festival Orchestra – launched with a performance of Oedipus Rex at the Alexandrinsky Theatre in February 2017. Highlights of Stravinsky’s 2017/2018 season include productions at the Berlin Staatsballett with the orchestras of the Berlin Staatskapelle and Deutsche Oper, and debuts with the London Philharmonic Orchestra (Royal Festival Hall, London), and the Symphonieorchester des Bayerischen Rundfunks.
With his extraordinary pianistic talents, Fazıl Say has been touching audiences and critics alike for more than twenty-five years, in a way, that has become rare in the increasingly materialistic and elaborately organised classical music world. Concerts with this artist are something different. They are more direct, more open, more exciting; in short, they go straight to the heart.
Since the beginning of his career he has played with all of the renowned American and European orchestras and numerous leading conductors, building up a multifaceted repertoire ranging from Bach, through the Viennese Classics (Haydn, Mozart and Beethoven) and the Romantics, right up to contemporary music, including his own piano compositions.
Guest appearances have taken Fazıl Say to countless countries on all five continents; the French newspaper “Le Figaro” called him ‘a genius’. He also performs chamber music regularly: since many years he has been part of a fantastic duo with violinist Patricia Kopatchinskaja. Other notable collaborators include Maxim Vengerov, the Minetti Quartet, Nicolas Altstaedt and Marianne Crebassa.
As a composer, Say has been commissioned to write music for, among others, the Salzburger Festspiele, the WDR and the Schleswig-Holstein Musik Festival, the Festspiele Mecklenburg-Vorpommern, the Konzerthaus Wien, the Dresdner Philharmonie, the Louis Vuitton Foundation, the Orpheus Chamber Orchestra and the BBC. His oeuvre includes four symphonies, two oratorios, various solo concertos and numerous works for piano and chamber music.
Highlights of the 2020-21 season include concerts with the Münchner Philharmoniker under Thomas Hengelbrock in Munich and Baden-Baden, the Tonhalle-Orchester Zürich under Paavo Järvi in Zurich and Hamburg, the Israel Philharmonic Orchestra under Iván Fischer, the Orpheus Chamber Orchestra and the Classic Open Air on the Gendarmenmarkt with the Konzerthausorchester Berlin and Christoph Eschenbach.
In recitals Fazıl Say can be heard in Japan and European cities such as Milan, Paris, Budapest, Moscow and Munich; in the first half of the season he dedicates his programmes mainly to Beethoven’s sonatas, in 2021 he takes Bach's Goldberg Variations and Schubert's C minor Sonata D 958 with him on tour.
Fazıl Say also regularly performs his own works in concert, including his piano concerto "Silk Road" with the Orchestre de Chambre de Lausanne, the Georgian Chamber Orchestra and the Irish Chamber Orchestra; "The Moving Mansion" with the Orpheus Chamber Orchestra, the Würth Philharmoniker and the Amsterdam Sinfonietta; his song cycle "İlk Şarkılar" with mezzo-soprano Serenad Bağcan in Hamburg, Zurich and İstanbul, and his İstanbul Symphony with the Orchester der Komischen Oper Berlin.
Fazıl Say has produced an extensive discography of over 40 CDs. His recordings for Teldec Classics, naïve and Warner have received numerous awards, including four ECHO KLASSIK and a Gramophone Classical Music Award. Since 2016 Fazıl Say has been an exclusive artist with Warner Classics, where his last recording of all Beethoven’s piano sonatas was released in January 2020.
For more than five decades, the Berliner Symphoniker have been an integral part of Berlin's musical and cultural life and have enriched the German orchestra landscape. Since 1990 they have been the orchestra for all Berliners.
In addition to the popular and long-established symphony concerts that take place in the Berlin Philharmonic, the Berliner Symphoniker perform throughout Berlin and the surrounding area: They are regular guests at the Konzerthaus Berlin, the University of the Arts, the Berlin Cathedral, the Kulturbrauerei and the Chorin Monastery, among others. With guest performances in Europe and tours to North and South America, Africa and Asia as well as appearances at international festivals (including in France, Italy, Austria, Spain and Israel), the Berliner Symphoniker have presented themselves successfully worldwide and see themselves as Berlin's cultural ambassadors.
In addition to the classical, wide-ranging and popular range of concerts, the repertoire of the Berliner Symphoniker also includes special rarities - unknown and forgotten works as well as contemporary compositions.
Music communication as a special focus has always been a trademark of the orchestra. It was the Berliner Symphoniker, for example, who were the first orchestra in Berlin to develop a music education profile with school concerts and children's and family concerts and who established and promoted work with young people in the long term. Numerous CD recordings and television recordings round off the multifaceted work of the Berliner Symphoniker.
