COMPOSER
BIOGRAPHY
Alexey Shor was born in Ukraine in 1970, immigrated to Israel in 1991, and now lives primarily in the USA.
His compositions have been performed at some of the most prestigious concert halls, including Wiener Musikverein, Berlin Philharmonie, Carnegie Hall, Kennedy Center (Washington DC), Great Hall of Moscow Conservatory, Mariinsky Theatre (St. Petersburg), Kremlin Palace (Moscow), The Concertgebouw (Amsterdam), Gasteig (Munich), Wigmore Hall (London), Teatro Argentina (Rome) and many others. Concerts with his music have been broadcast on MediciTV, Mezzo and Euronews. Mr Shor’s music has been showcased on Fox Business News and the websites of Bloomberg News, the New Yorker, Yahoo and the Huffington Post. The Overture to his ballet “Crystal Palace” was performed at the 40th Gramophone Classical Music Awards ceremony in London. In 2018 he has been awarded an honorary professorship at the Komitas State Conservatory of Yerevan. In 2022 Mr.Shor has been appointed as Yehudi Menuhin School’s first associate composer.
Mr. Shor’s scores are published by Breitkopf & Hartel, Universal Edition and P.Jurgenson.
CDs with his compositions have been issued by Warner Classics, DECCA, SONY Classics, Naxos, Delos, Berlin Classics and Melodiya.
Mr. Shor is the Composer-In-Residence for the Armenian State Symphony Orchestra.
Many internationally acclaimed artists have performed Mr Shor’s music, including (in alphabetical order) Behzod Abduraimov, Salvatore Accardo, Ray Chen, Steven Isserlis, Evgeny Kissin, Denis Kozukhin, Shlomo Mintz, Mikhail Pletnev, Gil Shaham, Yeol Eum Son, Yekwon Sunwoo, Maxim Vengerov, Nikolaj Znaider and many others.
He also holds a Ph.D. in mathematics.
Violin | Germany
Roman Kim is internationally acknowledged as one of the most innovative violinists of our time. He has been constantly contributing to the evolution of violin playing technique, expanding the boundaries of what – some years ago – had been considered impossible by even the best violinists in the world.
When, in 2010, he published a video on YouTube, performing his transcription of Johann Sebastian Bach's Air from the Orchestral Suite No. 3, the then 19-year-old caused a sensation. The fact that he was playing all four parts of the score on a single violin amazed experts and famous violinists. Ever since, his fresh and unconventional approach to classical music has been applauded by audiences all over the world.
After winning the International Violin Competition "Valsesia Musica" (2012), Kim played concerts in Italy, Germany, France, Hungary, Russia, USA, China, South Korea, Romania, Switzerland and Taiwan. Among others, he appeared in auditoriums such as the Laeiszhalle Hamburg, the Tonhalle Düsseldorf, the Cologne Philharmonic, the Romanian Athenaeum, the Berlin Philharmonic, the Munich Herkulessaal, the Beijing Concert Hall, the Bari Teatro Petruzzelli, the Seoul Arts Centre, the Franz List Music Academy Budapest and the Taipei National Concert Hall. He performed with orchestras like the NDR Symphony Orchestra, the Staatskapelle Halle, the Aachen Symphony Orchestra, the Orchestra del Teatro Petruzzelli, the Suwon Philharmonic Orchestra and the Düsseldorfer Symphoniker, under the baton of distinguished conductors such as Aziz Shokhakimov, Dirk Kaftan, Josep Caballé Domenech, Daejin Kim, Alexandre Bloch and Alpesh Chauhan.
Composing soloist inspired by the past
As a soloist, Roman Kim is especially devoted to the works of Niccolò Paganini, fighting against the prejudice of Paganini's compositions being merely superficial virtuoso show pieces. Resuming the great and old tradition of composing soloists, Roman Kim is also a performer of his own compositions. In 2015, he started a close collaboration with the renowned German music publisher "Bärenreiter". The first edition of Kim's arrangement of Bach's Air was sold out within a few months. Roman Kim's music is romantic, tonal and melodic. While it reminds of the the great composers of the 19th century, his music is also highly original, due to his technical innovations that allow him to create absolutely astonishing sounds. Roman Kim's paraphrases "I Brindisi" on themes by Italian opera composer Verdi strengthened his reputation as a modern Paganini. Inspired by Arcangelo Corelli's “La Folia”, Kim proposed his own approach to the famous musical theme that inspired so many composers of the past.
Combining musical brilliance and spiritual depth
In April 2017, Roman Kim's "Three Romances" for violin and piano were published by "Bärenreiter". The same year, his debut album “Kimpossible” was released by Sony Classical and
received with enthusiasm by critiques around the globe. One of Kim's latest works is an arrangement of Johann Sebastian Bach's Piano Concerto in d-Minor. It does not only translate Bach's orchestral music to the solo violin, but also disposes of a cadenza that Kim composed for this version. In 2019, Roman Kim published his arrangement of Wolfgang Amadeus Mozart's “Eine kleine Nachtmusik”. During the last two years, Roman Kim worked on his “Requiem”. The expressive large scale composition for solo violin was inspired by Gregorian chants and the Roman Catholic Mass for the dead. The movements follow the traditional liturgical form, combining musical brilliance and spiritual depth. The “Requiem” should have been inaugurated in Hiroshima, commemorating the 75th anniversary of the atomic bombing of the Japanese city. However, the event had to be postponed due to the 2020 pandemic.
Pupil of Galina Turchaninova
Born in Kazakhstan into a family of Korean-Tatar-Belarussian descent, Kim started to play the violin at the age of five. Only three years later, he went to Moscow to attend the class of Galina Turchaninova who, as a professor at the Moscow Central Music School, taught many famous violinist like Maxim Vengerov. In 2008, Roman Kim was accepted, aged 16, at the
Musikhochschule Cologne, where he studied with Prof. Viktor Tretyakov. Roman Kim currently lives in Cologne and studies composition at the local conservatory. He plays a violin he designed himself. The instrument was created in 2015 at the workshop of master violin maker Alexander Hazin (Cologne) and named „Superior".
Violin | Italy
An extraordinary talent, Gibboni manages to astonish with each of his performances. Solid technique, impeccable intonation even on an instrument as unfamiliar to him as the Cannone, which he took up for the first time in these days, the young artist does not 'only' have the qualities of a great virtuoso: he also has a first-rate interpretative intelligence, a full cantabile and is capable of multiple dynamic nuances. La Repubblica, Roberto Iovino
With flawless technique and compelling expressiveness, Giuseppe Gibboni won over the jury and audience of the Paganini Violin Competition in Genoa in October 2021. The violinist, born in 2001, was the first Italian in 24 years to win the overall prize, as well as the audience choice prize and special prize for the best interpretations of Niccolò Paganini's Capriccios and Violin Concerto. Subsequently, the now 22-year-old musician has begun an extensive concert career. He made his debut with Tchaikovsky's Violin Concerto with the Orchestra dell'Accademia Nazionale di Santa Cecilia under the direction of Lorenzo Viotti. Shortly thereafter, he played with guitarist Carlotta Dalia at the invitation of Italian President Sergio Mattarella at the Quirinal Palace in Rome; the concert was broadcast live on Italian radio.
The highlights of the season 2022/23 include his US debut with the Detroit Symphony Orchestra under Jader Bignamini as well as concerts with the Orchestra della Toscana under Diego Ceretta and the Orchestra Teatro San Carlo in Naples under Dan Ettinger. Giuseppe Gibboni performed the Violin Concerto by Wynton Marsalis together with the Orchestra Sinfonica Nazionale della RAI under John Axelrod and Vivaldi’s *Four Seasons* with the Sinfonietta Riga in Latvia. He regularly plays recitals all over Italy, for example at Amici della Musica in Florence, Serate Musicali in Milan, Teatro Petruzzelli in Bari, as well as the Stresa Festival, among others.
In autumn 2023, Giuseppe Gibboni gave his debut with the Maggio Musicale Fiorentino Orchestra under Zubin Mehta, performing Mendelssohn’s Violin Concerto, as well as with the Orchestra Sinfonica di Milano under Joel Sandelson, performing Tchaikovsky’s Violin Concerto. During the current season, following a tour throughout Brazil and among numerous engagements in Italy, he can also be heard as part of the series “Debüt im Nikolaisaal” in Potsdam as well as at Heidelberger Frühling.
The son of a family of musicians, Giuseppe Gibboni was first taught by his father Daniele Gibboni before attending the Salerno Conservatory “Martucci.” At the age of 14, he was admitted to the Stauffer Academy in Cremona, where he received lessons from Salvatore Accardo. He also successfully graduated with a Diploma of Honor from the Accademia Chigiana in Siena. After a five-year advanced course at the Accademia Perosi in Biella with Pavel Berman, he now studies at the Mozarteum University in Salzburg as a student of Pierre Amoyal.
Giuseppe Gibboni had already attracted attention with a series of competition successes. He became known to a large television audience in 2016 through his success in the *Prodigi – La musica è vita* competition broadcast by RAI 1 in collaboration with UNICEF. In the same year, he won the first prize and a special prize at the Andrea Postacchini Violin Competition, followed by successes at the Leonid Kogan International Competition in Brussels (2017), the George Enescu International Competition in Bucharest (2018), and the Valsesia Musica Competition (2020).
Giuseppe Gibboni recorded his debut CD at the age of 15 for the Warner Classics label. Since 2017, he has been sponsored by Classically Connected, Inc. (formerly the Si-Yo foundation), who provided his ‘F. Tourte bow 1800 Ca.’ He plays the violin ‘Auer, Benvenuti’ by Antonio Stradivari, Cremona 1699, kindly lent to him by a German Foundation. As the winner of the Paganini Competition, he also had the opportunity to perform the "Cannone," Niccolò Paganini's favorite instrument built by Guarneri del Gesù in 1743
Violin | USA
Gil Shaham is one of the foremost violinists of our time; his flawless technique combined with his inimitable warmth and generosity of spirit has solidified his renown as an American master. The Grammy Award-winner, also named Musical America’s “Instrumentalist of the Year,” is sought after throughout the world for concerto appearances with leading orchestras and conductors, and regularly gives recitals and appears with ensembles on the world’s great concert stages and at the most prestigious festivals.
Highlights of recent years include the acclaimed recording and performances of J.S. Bach’s complete sonatas and partitas for solo violin. In the coming seasons in addition to championing these solo works he will join his long time duo partner pianist, Akira Eguchi in recitals throughout North America, Europe, and Asia.
Appearances with orchestra regularly include the Berlin Philharmonic, Boston Symphony, Chicago Symphony, Israel Philharmonic, Los Angeles Philharmonic, New York Philharmonic, Orchestre de Paris, and San Francisco Symphony as well as multi-year residencies with the Orchestras of Montreal, Stuttgart and Singapore. With orchestra, Mr. Shaham continues his exploration of “Violin Concertos of the 1930s,” including the works of Barber, Bartok, Berg, Korngold, Prokofiev, among many others.
Mr. Shaham has more than two dozen concerto and solo CDs to his name, earning multiple Grammys, a Grand Prix du Disque, Diapason d’Or, and Gramophone Editor’s Choice. Many of these recordings appear on Canary Classics, the label he founded in 2004. His CDs include 1930s Violin Concertos, Virtuoso Violin Works, Elgar’s Violin Concerto, Hebrew Melodies, The Butterfly Lovers and many more. His most recent recording in the series 1930s Violin Concertos Vol. 2, including Prokofiev’s Violin Concerto and Bartok’s Violin Concerto No. 2, was nominated for a Grammy Award. He will release a new recording of Beethoven and Brahms Concertos with The Knights in 2020.
Mr. Shaham was born in Champaign-Urbana, Illinois, in 1971. He moved with his parents to Israel, where he began violin studies with Samuel Bernstein of the Rubin Academy of Music at the age of 7, receiving annual scholarships from the America-Israel Cultural Foundation. In 1981, he made debuts with the Jerusalem Symphony and the Israel Philharmonic, and the following year, took the first prize in Israel’s Claremont Competition. He then became a scholarship student at Juilliard, and also studied at Columbia University.
Gil Shaham was awarded an Avery Fisher Career Grant in 1990, and in 2008 he received the coveted Avery Fisher Prize. In 2012, he was named “Instrumentalist of the Year” by Musical America. He plays the 1699 “Countess Polignac” Stradivarius and performs on an Antonio Stradivari violin, Cremona c1719, with the assistance of Rare Violins In Consortium, Artists and Benefactors Collaborative. He lives in New York City with his wife, violinist Adele Anthony, and their three children.
Piano | Uzbekistan
Behzod Abduraimov’s performances combine an immense depth of musicality with phenomenal technique and breath-taking delicacy. He performs with renowned orchestras worldwide including Philharmonia Orchestra, Los Angeles Philharmonic, Deutsches Symphonie-Orchester Berlin, San Francisco Symphony, The Cleveland Orchestra, Orchestre de Paris, Concertgebouworkest, Czech Philharmonic, Vienna Symphony Orchestra, NHK Symphony and Rundfunk-Sinfonieorchester Berlin (RSB) with prestigious conductors such as, Santtu-Matias Rouvali, Gustavo Dudamel, Semyon Bychkov, Gianandrea Noseda, Juraj Valčuha, Vasily Petrenko and Constantinos Carydis.
2023/24 performances include Chicago Symphony, Mozarteumorchester Salzburg, Houston Symphony and Pittsburgh Symphony Orchestras, Oslo Philharmonic, Stavanger Symphony Orchestra including a tour of Spain and Belgian National Orchestra performing at the Concertgebouw, Amsterdam. Behzod will also appear with Adelaide Symphony Orchestra and Sydney Symphony Orchestra. Conductor collaborations include Osmo Vänskä, Juraj Valčuha, Constantinos Carydis, Robin Ticciati, Manfred Honeck, Yoel Levi, Han-Na Chang, Hannu Lintu and Andris Poga.
In recital Behzod has appeared a number of times at Carnegie Hall’s Stern Auditorium, Queen Elizabeth Hall in London and Amsterdam’s Concertgebouw, and has recently been presented by Alte Oper, Frankfurt, Toppan Hall, Tokyo, Teatro alla Scala and La Società dei Concerti di Milano. In 2023/24 Behzod will appear twice at Carnegie Hall – returning to the Stern Auditorium for solo recital, followed by a duo recital with Daniel Lozakovich at the Weill Auditorium. The duo will present recitals elsewhere in North America including Bing Hall, Stanford, and the Vancouver Recital series. Behzod will also perform in recital at the Seoul Arts Centre, Shanghai Concert Hall, Amare Hall, Hague and the Tuesday Evening Concert Series, Charlottesville. Regular festival appearances include Aspen, Verbier, Rheingau, La Roque Antheron, Lucerne and Ravello festivals.
Behzod’s second recording for Alpha Classics, featuring works by Ravel, Prokofiev, and Uzbek composer Dilorom Saidaminova, was released on 12 January 2024. The album won the Gramophone Editor’s Choice award and was named one of the Apple Music ‘10 Classical Albums You Must Hear This Month’ of February 2024. 2021 saw the highly successful release of his first recital album for Alpha Classics based on a programme of Miniatures including Mussorgsky’s Pictures at an Exhibition. In 2020 recordings included Rachmaninov’s Rhapsody on a Theme of Paganini with Lucerne Symphony Orchestra under James Gaffigan, recorded on Rachmaninov’s own piano from Villa Senar for Sony Classical and Rachmaninov’s Piano Concerto No.3 with Concertgebouworkest, for the RCO live label. Both recordings were nominated for the 2020 Opus Klassik awards in multiple categories. A DVD of his BBC Proms debut in 2016 with Münchner Philharmoniker was released in 2018. His 2012 debut CD of Liszt, Saint-Saëns and Prokofiev for Decca won the Choc de Classica and Diapason Découverte, and his first concerto disc for the label featured Prokofiev’s Piano Concerto No.3 and Tchaikovsky’s Concerto No.1.
Born in Tashkent, Uzbekistan, in 1990, Behzod began the piano aged five as a pupil of Tamara Popovich at Uspensky State Central Lyceum in Tashkent. In 2009, he won first prize at the London International Piano Competition with Prokofiev’s Piano Concerto No.3. He studied with Stanislav Ioudenitch at the International Center for Music at Park University, Missouri, where he is Artist-in-Residence.
“Behzod Abduraimov has the magic touch” — The Times
Cello | France
Born in 1994, Edgar Moreau is a Prizewinner at the 2009 Rostropovich competition, 2011 Tchaikovsky Competition and winner of the 2014 Young Concert Artist Award. He took up his studies with Philippe Muller at the Conservatoire National Supérieur de Musique de Paris and continued at the Kronberg Academy under the guidance of Frans Helmerson. At the age of 11, he made his debut with the Teatro Regio Orchestra in Torino, playing Dvorak’s cello concerto.
Edgar regularly performs in the most prestigious halls, including New York Carnegie Hall, Berlin Philharmonie, Vienna Musikverein and Konzerthaus, Amsterdam Concertgebouw, Los Angeles Hollywood Ball, Paris Philharmonie and Théâtre des Champs-Elysées, Hamburg Elbphilharmonie, Tokyo Suntory Hall, Seoul Arts Center, Geneva Victoria Hall, Barcelona Palau de la Musica Catalana, Scala de Milano, La Fenice Venezia, Wigmore Hall. He is frequently invited in numerous festivals, such as Verbier, Salzburg, Gstaad, Montreux, Hamburg, Edinburgh, Saint-Denis, Menton, Colmar, Lugano, Hamburg Martha Argerich Festival...
He collaborates with internationally acclaimed conductors such as Gustavo Dudamel, Valery Gergiev, Francois-Xavier Roth, Myung-Whun Chung, Tugan Sokhiev, Marin Alsop, Manfred Honeck, Lahav Shani, Elim Chan, Mikko Franck, Jakub Hrusa, Michael Schonwandt, Alain Altinoglu, Pablo-Heras Casado, Susanna Mälkki, Joseph Swensen, Vasily Petrenko, Jukka- Pekka Saraste, Aziz Shokhakimov, Lionel Bringuier, Andrés Orozco-Estrada, Nathalie Stutzmann...
Edgar performs with world-renowned orchestras, such as London Symphony Orchestra, Philharmonia, Royal Philharmonic, New York Philharmonic, Los Angeles Philharmonic, Seattle Symphony, Philadelphia Orchestra, Atlanta Symhpony, Montreal Symphony, Mahler Chamber Orchestra, Roma Santa Cecilia Orchestra, Filarmonica della Scala, Munich Philharmonic, Hamburg Symphony, Luzern Philharmonic, Israel Philharmonic, Orchestre de Paris, Philharmonique de Radio France, Orchestre National de France, Brussels Philharmonic, Antwerpen Symphony, Swedish Radio Symphony, Saint-Petersburg Philharmonic, Simon Bolivar Orchestra, Malaysian Philharmonic, Tokyo Metropolitan, Hong Kong Sinfonietta, KBS Symphony.
Being particularly passionate about chamber music, he collaborates with artists such as Martha Argerich, Yo-Yo Ma, Renaud Capuçon, Khatia Buniatishvili, Daniil Trifonov, Nicholas Angelich, Andras Schiff, Emmanuel Pahud, Sergey Babayan, Lisa Batiashvili, Julian Rachlin, Alexey Volodin, Bertrand Chamayou and David Kadouch among others, as well as his sister Raphaëlle and brothers David and Jérémie.
An Erato exclusive artist, Edgar released his debut album “Play” in 2014, with pianist Pierre-Yves Hodique, “Giovincello”,with Il Pomo d'Oro and Riccardo Minasi (ECHO Classic Award, 2016), Debussy's sonatas and trios, a duo album with David Kadouch, Gulda and Offenbach concertos with Les Forces Majeures and Raphaël Merlin, a family album featuring works of Korngold and Dvorak (A Family Affair, Erato), Transmission, an album celebrating Jewish heritage and musical tradition through works by Bruch, Bloch, Korngold and Ravel.
Latest release : Dutilleux and Weinberg cello concertos, with Andris Poga and WDR Köln Sinfonie (Warner Classics, September 2023).
Edgar was awarded two Victoires de la Musique Classique ("French Grammy") in 2013 and 2015. He was named ECHO Rising Star in 2017. Edgar is a laureate of the Fondation Banque Populaire, Young Soloist Award from French Public Radio Stations 2013, Safran Corporate Foundation and is Adami Révélation Classique 2012.
Edgar Moreau plays on a David Tecchler cello from 1711. His bow was made by Dominique Peccate.
From September 2023, Edgar has been appointed Cello Professor at the Paris Conservatoire National Supérieur.
Piano | Switzerland
Pianist, conductor, and composer, Mikhail Pletnev is one of the most respected and influential artists of the era. His prodigious talent as a pianist has earned widespread acclaim ever since the 1978 Tchaikovsky International Piano Competition, where he won First Prize at the age of 21. An invitation to perform at a 1988 diplomatic summit in Washington led to Pletnev’s friendship with Mikhail Gorbachev and a lifelong commitment to dismantling barriers through the universal language of music.
In 1990, Pletnev formed the Russian National Orchestra – the first independent orchestra in Russia’s history. Under his leadership, the RNO achieved recognition as one of the world’s great orchestras.
Over thirty years later, Pletnev has renewed his commitment to artistic freedom with his founding of the Rachmaninoff International Orchestra, named after the celebrated pianist, conductor, and composer whose own career inspired audiences from all corners of the globe.
Pletnev’s performances and recordings have shown him to be an outstanding interpreter of an extensive repertoire, both as a pianist and conductor. His recordings have earned numerous prizes, including a 2005 Grammy Award for his own arrangement of Prokofiev’s Cinderella. He received Grammy nominations for Schumann’s Symphonic Etudes (2004) and the Rachmaninoff and Prokofiev Piano Concertos No. 3 (2003). His critically acclaimed album of Scarlatti’s Sonatas (Virgin/ EMI) received a 1996 Gramophone Award, and his recording of the complete Beethoven symphonies and piano concertos (Deutsche Grammophon) was named “Best of 2007” by the NewYorker.
Pianist, conductor, composer, and cultural leader – all are significant facets of Mikhail Pletnev’s remarkable life. Yet with his characteristic humility, he insists that he is, simply, a musician.
Violin | Monaco
Universally hailed as one of the world’s finest musicians, and often referred to as the greatest living string player in the world today, Grammy award winner Maxim Vengerov also enjoys international acclaim as a conductor and is one of the most in-demand soloists.
Born in 1974, he began his career as a solo violinist at the age of five, won the Wieniawski and Carl Flesch international competitions at ages 10 and 15 respectively, studied with Galina Tourchaninova and Zakhar Bron, made his first recording at the age of 10, and went on to record extensively for high-profile labels including Melodia, Teldec and EMI, earning among others, Grammy and Gramophone artist of the year awards.
In 2007 he followed in the footsteps of his mentor, the late Mstislav Rostropovich, and turned his attention to conducting and in 2010 was appointed the first chief conductor of the Gstaad Festival Orchestra. June 2014 saw Mr Vengerov graduate with a Diploma of Excellence from the Moscow Institute of Ippolitov-Ivanov with professor Yuri Simonov and he has since finished a further 2-year program of opera conducting.
Highlights of recent seasons saw Mr Vengerov opening the season of the Orchestra Filarmonica della Scala with Maestro Chailly, a Residence with Monte Carlo Philharmonic and the Philharmonie in Paris as well as a world wide recital tours. Highlights of the 22/23 season saw him in an extensive US and Canadian recital tour including Berkeley, Kansas City, New York and Toronto, and an 11 concerts tour in the UK. Other orchestral performances as a soloist include Montreal, Vienna, London, Paris and Taiwan and chamber music concerts with Evgeny Kissin and Stephen Isserliss at Carngie Hall, and in Switzerland with Simon Trpcesky and Stephen Isserliss. He also joined Aspen and Bravo Vale Festival in the States this summer in Recital, Masterclasses and Concerto performance with Fabio Luisi and the Dallas SO and celebrated 40 years on stage at the Royal Albert Hall in a big gala concert in April 2023. In 2023/24 he will open the Shanghai International Festival with Christoph Eschenbach, will embarque on another world wine Recital tour including America, South America, Europe, Asia and Australia and will perform orchestra concerts in amongst others in Vienna, Paris and Milan.
In 2020 Maxim Vengerov became Classic FM’s first solo Artist in Residence and released a new recording of Tchaikovsky's Violin Concerto with conductor Myung-Whun Chung and the Orchestre Philharmonique de Radio France, coupled with works by Saint-Säens and Ravel as well as a live recital from Carnegie Hall.
As one of Mr Vengerov’s greatest passions is the teaching and encouraging of young talent, he has held various teaching positions around the world. He currently holds the Stephan and Viktoria Schmidheiny Stiftungsprofessor at the Mozarteum University Salzburg and since September 2016 he is also the Polonsky Visiting Professor of Violin at the Royal College of Music in London. In 2018 Maxim Vengerov became the Goodwill Ambassador of the Musica Mundi School - a unique institution, which supports young talents. With the vision of democratising the access of music learning, he launched his own online platform in January 2021:www.maximvengerov.com and created an impact across 170 countries and over 190 million reach. His first year programs include partnerships with musical institutions from around the world, the Lottery Ticket program, guest artist series inaugurated with Brett Yang from TwoSet Violin, as well as his new global community group who’s initiatives include the world leading Mentoring program, rural musical communities initiative and the Musical Pen Pals program for children.
Mr Vengerov has been profiled in a series of documentaries, including Playing by Heart, which was recorded by Channel Four Television and screened at the Cannes Television Festival in 1999, and Living the Dream, which was released worldwide and received the Gramophone Award for Best Documentary in 2008.
Mr Vengerov has received prestigious fellowships and honours from a number of institutions. In 2012 he was awarded an Honorary Visiting Fellowship at Trinity College Oxford and in 2019 he received an Honorary Doctorate from the Royal College of Music London and in 2019 he received an Honorary Doctorate from the Royal College of Music London and the Order of Cultural Merit from the Palace Monte Carlo.
Mr Vengerov has also received numerous awards including Grammy Award for Best Instrumental Soloist Performance (with Orchestra) (2003), two Gramophone awards (1994, 1995), a Classical Brit Award (2004), five Edison Classical Music Awards (1995, 1996, 1998, 2003, 2004), two ECHO awards (1997, 2003) and a World Economic Forum Crystal award (2007) - honouring artists who have used their art to improve the state of the world.
He plays the ex-Kreutzer Stradivari (1727).
Cello | France
Gautier Capuçon is a true 21st century ambassador for the cello. Performing internationally with many of the world’s foremost conductors and instrumentalists, he is also deeply committed to education and support for young musicians from every background. In summer 2020 Capuçon brought music directly into the lives of families across the length and breadth of France during his musical odyssey ‘Un été en France’. The fifth edition of the project, featuring young musicians and dancers, takes place in July 2024. In January 2022 Gautier Capuçon launched Fondation Gautier Capuçon to support young and talented musicians at the beginning of their career. Capucon is also a passionate ambassador for the Orchestre à l'École Association which brings classical music to more than 42,000 school children across France.
A multiple award winner, Capucon is acclaimed for his expressive musicianship, exuberant virtuosity, and for the deep sonority of his 1701 Matteo Goffriller cello “L’Ambassadeur”. He performs with world leading orchestras each season, working with conductors such as Semyon Bychkov, Gustavo Dudamel, Charles Dutoit, Christoph Eschenbach, Andrès Orozco-Estrada, Pablo Heras-Casado, Paavo Jarvi, Klaus Mäkelä, Andris Nelsons, and Christian Thielemann. Collaborations with contemporary composers include Lera Auerbach, Karol Beffa, Esteban Benzecry, Nicola Campogrande, Qigang Chen, Guillaume Connesson, Bryce Dessner, Richard Dubugnon, Henry Dutilleux, Danny Elfman, Thierry Escaich, Philippe Manoury, Bruno Mantovani, Krzysztof Penderecki, Wolfgang Rihm and Jörg Widmann.
Highlights of the 2023/24 season include return visits as soloist with Los Angeles Philharmonic/Young, Münchner Philharmoniker/Mehta, Orchestre Nationale de France/Macelaru and Wiener Philharmoniker/Nelsons. He is soloist on tour through Europe with Wiener Symphoniker/Popelka; and he is Artist in Residence with Dresden Philharmonic and with Shanghai Symphony Orchestra. In October 2023 he re-joins long time musical partners Lisa Batiashvili and Jean-Yves Thibaudet to make a piano trio tour crossing the USA – from Walt Disney Hall, Los Angeles to Carnegie Hall, New York. 2023/24 also sees a European tour with pianist Daniil Trifonov including concerts in Berlin, Brussels, Paris, Dresden and Vienna.
Other regular chamber music partners include Frank Braley, Jérôme Ducros, Nikolai Lugansky, Gabriela Montero, as well as Martha Argerich, Daniel Barenboim, Renaud Capuçon, Leonidas Kavakos, Andreas Ottensamer, Yuja Wang, the Labèque sisters and the Ébène, Hagen and Modigliani quartets. Capuçon regularly plays at festivals worldwide including Edinburgh, Salzburg, Grafenegg and Verbier. The 2022/23 season saw the debut tour of Capucon’s cello ensemble created with his former students - Capucelli – performing in prestigious venues across Europe including Paris, Vienna and Geneva.
Recording exclusively for Erato (Warner Classics), Capuçon has won multiple awards and holds an extensive discography featuring major concerto and chamber music literature. His album Destination Paris, released in November 2023, celebrates French music from classical repertoire to film scores. 2020’s Warner Classics album Emotions features music from composers such as Debussy, Schubert and Elgar and has achieved gold status in France. Further albums exploring short, popular pieces from a range of different genres - including Sensations (released in Autumn 2022) – have generated tens of millions of streams. Highlights of his back catalogue include the complete Beethoven Sonatas with Frank Braley; an album of Schumann works recorded live with Martha Argerich, Renaud Capuçon and Chamber Orchestra of Europe/ Bernard Haitink; Chopin and Franck sonatas with Yuja Wang; and a solo album featuring Bach, Dutilleux and Kodaly to mark his 40th birthday.
Capuçon has also been featured on DVD in live performances with Wiener Philharmoniker/Andris Nelsons (Saint-Saens’ Cello Concerto No.1) Berliner Philharmoniker/Gustavo Dudamel (Haydn’s Cello Concerto No.1) and with Lisa Batiashvili, Sächsische Staatskapelle Dresden and Christian Thielemann (Brahms’ Concerto for Violin and Cello).
Born in Chambéry, Capuçon began playing the cello at the age of five. He studied at the Conservatoire National Supérieur in Paris with Philippe Muller and Annie Cochet-Zakine, and later with Heinrich Schiff in Vienna. Now a household name in his native France, Capucon appears on screen and online in shows such as Prodiges, Now Hear This, Symphony Pour La Vie, and The Artist Academy, and is a guest presenter on Radio Classique in the show Les Carnets de Gautier Capuçon.
Violin | Ireland
The violinist Daniel Hope has toured the world as a virtuoso soloist for 30 years and is celebrated for his musical versatility as well as his dedication to humanitarian causes. Winner of the 2015 European Cultural Prize for Music, whose previous recipients include Daniel Barenboim and the Berlin Philharmonic Orchestra, Daniel Hope appears as soloist with the world’s major orchestras and conductors, also directing many ensembles from the violin. Since the start of the 2016/17 season Hope is Music Director of the Zurich Chamber Orchestra – and from the 2018/19 Season also Music Director of the New Century Chamber Orchestra in San Francisco.
In 2019 he became Artistic Director of the Frauenkirche Cathedral in Dresden, and from 2020 he will assume the role of President of the Beethovenhaus Bonn, an honorary position following in the footsteps of Kurt Masur and Joseph Joachim.
Daniel Hope was raised in London at Highgate School and the Royal Academy of Music, studying the violin with Zakhar Bron, Itzhak Rashkovsky and Felix Andrievsky. The youngest ever member of the Beaux Arts Trio with whom he performed over 400 times during its final six seasons, today Daniel Hope appears at all the world’s greatest halls and festivals: from Carnegie Hall to the Concertgebouw Amsterdam, from Salzburg to Schleswig-Holstein and from Aspen to the BBC Proms and Tanglewood. He has worked with conductors including Kurt Masur, Valery Gergiev and Christian Thielemann, and with the world’s greatest symphony orchestras including Berlin, Boston, Chicago, Paris, London, Los Angeles and Tokyo. Devoted to contemporary music, Hope has commissioned over thirty works, enjoying close contact with composers such as Alfred Schnittke, Toru Takemitsu, Harrison Birtwistle, Sofia Gubaidulina, György Kurtág, Peter Maxwell-Davies and Mark-Anthony Turnage.
Daniel Hope is one of the world’s most prolific classical recording artists, with over 25 albums to his name. His recordings have won the Deutsche Schallplattenpreis, the Diapason d’Or of the Year, the Edison Classical Award, the Prix Caecilia, the ECHO-Klassik Award and numerous Grammy nominations. His album of Mendelssohn’s Violin Concerto and Octet with the Chamber Orchestra of Europe was named one of the best of the year by the New York Times. His recording of Alban Berg’s Concerto was voted Grammophone Magazine’s “top choice of all available recordings”. His recording of Max Richter's Vivaldi Recomposed, which reached No. 1 in over 22 countries is, with 250,000 copies sold, one of the most successful classical recordings of recent times. Hope has been an exclusive Deutsche Grammophon artist since 2007.
In 2017 the documentary film “Daniel Hope – The Sound of Life” was screened in European cinemas as well as in Movie Theatres in Australia and North America.
Daniel Hope has penned four bestselling books published in Germany by the Rowohlt publishing company. He contributes regularly to the Wall Street Journal and has written scripts for collaborative performances with the actors Klaus Maria Brandauer and Mia Farrow. In Germany he presents a weekly radio show for the WDR3 Channel and curates, since the 2016/17 season his own salon “Hope@9pm”, a music and talk event with guests from culture and politics at the Konzerthaus Berlin.
Daniel Hope plays the 1742 “ex-Lipínski” Guarneri del Gesù, placed generously at his disposal by an anonymous family from Germany.
He holds both Irish and German citizenship and resides with his family in Berlin. January 2020
Clarinet | Italy
Fabrizio Meloni, since 1984, is the first solo clarinet chair of the Orchestra and the Philharmonic of the Teatro alla Scala in Milan. He has finished his clarinet studies at Milan's Conservatorio "G. Verdi"with summa cum laude and the special mention for his artistic achievement.
Winner dozens of national and international prizes (ARD Munchen-1987- Prague – 1987-, among all), he has been partner of soloists of international reputation: Bruno Canino, Alexander Lonquich, Michele Campanella, Heinrich Schiff, Friederich Gulda, Nazzareno Carusi, Editha Gruberova, the Hagen Quartet, Myung-Whun Chung, Philip Moll and the Fine Arts Quartet. He has toured the United States and Israel with the "Quintetto a Fiati Italiano", performing works specially dedicated to this ensemble by Luciano Berio (with whom he has collaborated along the years 1989-1994) and Salvatore Sciarrino. With Nuovo Quintetto Italiano he has already toured South America and Far East, receiving enthousiastic consents of public and critic. The same success he has had in various series of concerts in Japan with Phillip Moll and I Solisti della Scala (Tokyo and Osaka), performing a program of Italian Opera's collections recorded in the CD "I Fiati all'Opera"(DAD Records).
With the ensemble I Solisti della Scala Trio he has performed all over the world. The Washington Post has written about their recital in Washington, DC: "An evening of breathtaking artistry". In 2007 he has toured Italy, Germany, the United States, Australia and Japan playing duo with the pianist Nazzareno Carusi, celebrating the anniversaries of Johannes Brahms and Domenico Scarlatti. After their performance for the Hamburg's Brahms-Gesellschaft, Cord Garben (the artistic producer of Arturo Benedetti Michelangeli's Deutsche Grammophone recordings) has written: "The listening to their recital has been an unforgettable adventure".
He has realised various recordings: the Sinfonia Concertante and the Concert K 622 for clarinet and orchestra with the Philharmonic Orchestra of Teatro alla Scala conducted by Riccardo Muti; Pulcherrima Ignota with the Bairav Ensemble: tribute to the tzigane music in the world; Duo Obliquo with Carl Boccadoro; the Quintetti for clarinet and strings by Mozart and Brahms; the Histoire du Soldat by Stavinskij in the double version for trio and settimino with Domenico Nordio, Giorgia Tomassi and I Solisti della Scala; the Quatuor pour la fin des temps by Messiaen with the Trio Johannes. For the most prestigious Italian musical magazine, AMADEUS, he has published the Concertos for clarinetto and orchestra by Rossini, Donizetti and Mercadante with the Accademia Filarmonica of Verona; and the two Sonatas op. 120 for piano and clarinet by Brahms with Nazzareno Carusi: this recording has been defined "skillful"by the same review. In 2009 will be released several recordings: the DVD "Duets"(Warner), the Francaix/Nielsen/Copland's Clarinet Concertos (Amadeus), and "Ol ari Nyiro Diary" (by Fabrizio Meloni & Roberto Prosseda, from novels by Kuki Gallman).
He has given masterclass for the Paris Conservatory of Music, the Advanced Conservatory of Italian Switzerland in Lugano, the Tokyo University, the New York Manhattan School, the Chicago NorthEastern Illinois University, the Academy Ca' Zenobio in Treviso, Milano Music Master and for the summer courses of Monterubbiano (AP). He also teaches for the Teatro alla Scala's Academy, the Conservatorio di Modena (Italy), the Conservatorio Vecchi A.Tonelli (Modena, Italy), Peri ( Reggio Emilia, Italy), the Conservatorio di Udine (Italy) and the Conservatorio de Musica in Zaragoza (Spain). He is author of the book "The Clarinet", published by Zecchini Editore, and prefaced by Riccardo Muti.
Violin | Sweden
Violinist Daniel Lozakovich’s majestic music-making has left critics and audiences spellbound. “Perfect mastery. An exceptional talent,” observed *Le Figaro* after a performance at the Verbier Festival, while the *Boston Globe* praised the “poise, tonal purity, and technique to spare” during his debut with the Boston Symphony Orchestra and Andris Nelsons at the Tanglewood Festival in July 2017.
Daniel was born in Stockholm in 2001 and began playing the violin when he was almost seven. He made his solo debut two years later with the Moscow Virtuosi Chamber Orchestra and Vladimir Spivakov in Moscow.
At the age of 15, Lozakovich signed an exclusive recording contract with Deutsche Grammophon, and in 2018 released his debut album of Bach’s two violin concertos in collaboration with the Kammerorchester des Symphonieorchesters des Bayerischen Rundfunks, along with the solo *Partita No. 2*. The album reached number 1 in the all-music category of the French Amazon charts and topped the classical album charts in Germany.
“None but the Lonely Heart,” Lozakovich’s second album, was released in 2019. Dedicated to Tchaikovsky, it includes the Violin Concerto, recorded live with the National Philharmonic of Russia and Vladimir Spivakov. *Grammophone* magazine named this recording as the “Top choice” spanning 70 years of the best recordings of the Tchaikovsky Violin Concerto.
Lozakovich’s third album, released in 2020, focuses on the Beethoven Violin Concerto, recorded live with the Münchner Philharmoniker under Valery Gergiev. The project was released both as an audio album and e-video during the 250th anniversary of Beethoven’s birth, a project significant to Lozakovich, who considers the concerto one of the greatest ever written.
On *Spirits*, his latest 4th Deutsche Grammophon recording, Lozakovich celebrates some of his forebears in the hope of passing on their style and repertoire to younger generations. Partnered by pianist Stanislav Soloviev, Lozakovich performs favorite encores by Elgar, Debussy, Falla, Gluck, Brahms, and Kreisler.
Lozakovich studied at the Hochschule für Musik Karlsruhe with Professor Josef Rissin from 2012 and graduated with a Master’s degree in 2021.
He plays the “ex-Sancy” 1713 Stradivari, generously loaned by LVMH / Moët Hennessy Louis Vuitton.
Violin | Japan
Born in Tokyo, Fumiaki Miura starts his musical education with Tsugio Tokunaga at his hometown Conservatory before moving to Vienna to carry on his studies with Pavel Vernikov and Julian Rachlin. Since aged 16, Fumiaki is mentored and guided by Pinchas Zukerman. In 2009 he was awarded First Prize at the prestigious Joseph Joachim Hannover International Violin Competition, being the youngest winner ever.
His 23/24 season is highlighted by solo performances with the Royal Philharmonic Orchestra of London, ADDA Sinfónica de Alicante, Orchestra del Teatro Goldoni di Livorno, and the Presidential Symphony Orchestra in Turkey. In addition, he will continue his chamber music activity with his partner pianist Itamar Golan in Italy, as well as with Varvara and Jonathan Roozeman, making his debut at the Centro Nacional de Difusión Musical in Madrid.
Miura has performed with orchestras including Los Angeles Philharmonic, NDR Radiophilharmonie Hannover, NDR Sinfonieorchester Hamburg, Radio-Sinfonieorchester Stuttgart des SWR, Sinfonieorchester Basel, Royal Liverpool Philharmonic, Wiener Kammerorchester, Prague Philharmonia, Mariinsky Theater, Tchaikovsky Symphony Orchestra, NAC Orchestra Ottawa, Orchestre de Chambre Lausanne, Warsaw Philharmonic, NHK Symphony Orchestra, Tokio Metropolitan Symphony Orchestra, Utah Symphony, Japan Philarmonic, Orchestre Nationale du Capitole de Toulouse, BBC Royal Scottish National Orchestra, Gothenburg Symphony Orchestra, Düsseldorf Symphoniker, hr-Sinfonieorchester or Hong Kong Sinfonietta, among others. Fumiaki Miura plays under the baton of conductors such as Valery Gergiev, Gustavo Dudamel, Pinchas Zukerman, Krzysztof Penderecki, Vladimir Fedoseyev, Andrés Orozco-Estrada, Kazushi Ono, Hannu Lintu, Jakub Hrůša, Vasily Petrenko, Josep Pons, Patrick Hahn, Santtu-Matias Rouvali, Stéphane Denève, Kristjan Järvi, Tatsuya Shimono, Terry Fisher, and Rafael Payaré.
Regular invitations to international music festivals include the Miyazaki International Music, Ravinia Festival, Julian Rachlin and Friends, Schleswig-Holstein Musik Festival, Musique de Menton, Gyeonggi Chamber Music Festivalnd Menuhin Festival Gstaad. Fumiaki has also performed at the Auditorium du Louvre and Théâtre des Champs-Élysées in Paris, Auditorio in Madrid, Palau de la Música in Barcelona, Elbephiharmonie in Hamburg and at the Wigmore Hall in London.
Miura has collaborated with artists like Yuri Bashmet, Itamar Golan, Sunwook Kim, Mischa Maisky, Maria João Pires, Lawrence Power, Julian Rachlin, Torleif Thedéen, Nobuyuki Tsujii, Jonathan Roozeman, Varvara or Pinchas Zukerman.
Since 2018 he has been artistic director of Suntory Hall ARK Classics and has just completed the 2023 edition together with artists such as Nobuyuki Tsujii, Jonathan Roozeman, Young Soung and Sergei Nakariakov. In the summer of 2023, Fumiaki toured Japan - as soloist and conductor - with ARK Sinfoniettta, an orchestra formed especially for ARK Classics with eminent young artists. Months earlier, he performed Mozart's Symphonie Concertante with the Tokyo Philharmonic Orchestra and Pinchas Zukerman at the baton.
In 2022 Fumiaki was also elected "Forbes 30 under 30 Asia" after being elected "Forbes 30 under 30 Japan" in 2019. In 2024, to celebrate his 15th anniversary after his debut, Fumiaki will perform complete cycles of Beethoven Violin Sonatas with Japanese pianist Kazune Shimizu at Suntory Hall.
His discography includes Prokofiev violin sonatas with the pianist Itamar Golan for Sony Japan, as well as Mendelssohn and Tchaikovsky violin concertos with Deutsches Symphonie-Orchester Berlin and Hannu Lintu released by Avex-Classics label.
Miura performs on the Guarneri del Gesu 1732 violin “Kaston” kindly loaned by Crystco Inc. and its CEO, Mr. Hikaru Shimura.
Viola | USA
Recipient of the Leonard Bernstein Award, First Prize Winner of the Walter E. Naumburg Viola Competition and the Avery Fisher Career Grant, David Aaron Carpenter is widely considered one of the most talented and charismatic musicians of his generation.
David is a former Rolex “Protégé” for which he was mentored by Pinchas Zukerman. David made his solo debut at the Kennedy Center after winning the Presidential Scholar Award and the first-ever Gold Medal Award at the National Foundation For Advancement In The Arts. Since then he has performed with leading musicians and orchestras around the world, from the Philadelphia Orchestra to the Philharmonia, the Dresden Staatskapelle to the Lucerne Symphony.
As a chamber musician, David has collaborated with such renowned artists as Yo-Yo Ma, Emanuel Ax, Sarah Chang, Leonidas Kavakos, Gidon Kremer, Alan Gilbert, Julian Rachlin, Dmitry Sitkovetsky, Jean-Yves Thibaudet, Jan Vogler, and Yuja Wang. He is a regular guest artist at the Verbier Music Festival, and was proud to be an integral part of their 20th anniversary season. He is currently the Artistic Director of the Salomé Chamber Orchestra, which he co-founded with his brother Sean and sister Lauren.
David received his Bachelor of Arts degree in Political Science and International Relations from Princeton University in 2008. David was featured in The New Yorker article “Musical Gold” by Rebecca Mead in July, 2014, on the cover of The Strad magazine in August 2013, and a few months earlier was the subject of a three-page article in The New York Times. Along with the Salomé Chamber Orchestra, David released his Warner Classics recording featuring Vivaldi, Piazzolla and Shor's Twelve Seasons. His newest release on Warner Classics features the Bartok, Walton, Shor and Dvorak Concertos with the London Philharmonic Orchestra under Maestros Vladimir Jurowski, David Parry, and Kazushi Ono.
David plays on a viola made by Michele Deconet, Venice (1766).
Piano | Belgium
A pianist of exceptional technique, emotional depth, and sophistication, Denis Kozhukhin has gained significant recognition through his powerful performances, establishing himself as one of the most accomplished musicians of his generation.
Highlights of the last two seasons include performances with the San Francisco Symphony, Orchestre Symphonique de Montréal, Frankfurt’s hr-Sinfonieorchester, BBC Symphony, Orchestre National de Belgique, Danish National Symphony, Philharmonia Orchestra, Royal Stockholm Philharmonic, and WDR Sinfonieorchester. He has worked with conductors such as Rafael Payare, Alain Altintoglu, Cristian Macelaru, Hannu Lintu, Dalia Stasevska, and Santtu-Matias Rouvali, among others.
Kozhukhin’s 2023/24 season includes returns to the Oslo Philharmonic, NHK Symphony, Washington’s National Symphony, and Orquestra Simfónica de Barcelona, alongside debuts with the Dallas Symphony, Düsseldorfer Symphoniker, and Melbourne Symphony. Denis will also perform recitals and chamber music at the Pierre Boulez Saal, Elbphilharmonie, Wigmore Hall, Vienna’s Konzerthaus, and Zurich’s Tonhalle. Since winning the Queen Elizabeth Competition in 2010, Denis has performed with the London Symphony, Royal Concertgebouw Orchestra, Rotterdam Philharmonic, and Staatskapelle Berlin. A sought-after recitalist and chamber musician, Kozhukhin regularly appears at prominent music festivals including Verbier, Gstaad, Grafenegg, Dresden, Intonations Festival, Tsinandali, Klavier Ruhr, Lanaudiere, and Jerusalem Music Festivals, as well as the BBC Proms.
As a Pentatone recording artist, his discography spans works by Haydn, Mendelssohn, Tchaikovsky, Grieg, Ravel, and Gershwin.
A graduate of the Reina Sofía School of Music in Madrid under the guidance of Dmitri Bashkirov and Claudio Martinez-Mehner, Kozhukhin further honed his skills at the Piano Academy at Lake Como, where he received advice from notable pianists such as Fou Ts'ong, Stanislav Ioudenitch, Peter Frankl, Boris Berman, Charles Rosen, Andreas Staier, and Kirill Gerstein in Stuttgart.
Conductor | UK
Highlights of 2024/25 include John's debuts with the Athens State Orchestra and Franz Schubert Filharmonia, a return to the Berliner Symphoniker at the Philharmonie in Berlin, a new production of Puccini's Tosca with Oxford Opera and concerts with his own Orchestra for the Earth. The past season saw debuts with the Orquestra de la Comunitat Valenciana, Slovak State Philharmonic, Berliner Symphonieker and Armenian Symphony Orchestra, and in previous seasons he has also conducted orchestras including the London Symphony Orchestra and BBC Philharmonic and worked with soloists such as Thomas Hampson, James Ehnes, Wu Wei and Camille Thomas.
2024/25 will be his fourth season as Music Director of Oxford Opera, with whom he has conducted several productions including most recently La Traviata and Die Zauberflöte. He has also conducted at Glyndebourne, Palau de les Arts Valencia and Théâtre des Champs-Elysées in repertoire ranging from Janáček to Puccini to Mozart. As a frequent guest conductor with Spectra Ensemble he has put a special emphasis on underperformed operas by women composers, leading critically acclaimed productions of works by Ethel Smyth and Amy Beach.
His pioneering work with Orchestra for the Earth, which he founded in 2017, takes him around Europe with a wide variety of concerts that bring together music and nature, collaborating with leading artists, scientists and charities to raise awareness about the climate and environmental crises.
A committed advocate of contemporary music, John has been invited to commission and conduct world premieres at the Philharmonie Luxembourg, Het Concertgebouw and, most recently, a week-long residency at the Beijing Music Festival which included four world premieres and five Chinese premieres of contemporary classics by Anna Thorvaldsdottir, Huang Ruo, Sir George Benjamin and Messiaen.
John honed his craft as assistant to many of the world’s leading conductors, such as Sir Simon Rattle, Daniel Harding, Yannick Nézet-Séguin, Karina Canellakis, Robin Ticciati and Edward Gardner, working with the Symphonieorchester des Bayerischen Rundfunks, London Philharmonic, Orchestre de Paris, Dresden Staatskapelle, Wiener Symphoniker, Les Siècles and others.
He studied music at the University of Oxford, graduating with First Class Honours in 2016 and an MSt with Distinction in 2017. He also writes on music, with frequent publications in the Wagner Journal and an upcoming book published by Routledge. He is a regular guest lecturer at the Curtis Institute and Johns Hopkins University in the US.
Conductor | THE NETHERLANDS
Conrad van Alphen has gained tremendous popularity with orchestras and audiences alike for his visionary interpretations which he craftly directs in his energetic, efficient, kind and communicative performance style.
Equally at ease with the classical genre as with large symphonic repertoire Conrad van Alphen boasts an impressive array of appearances with orchestras such as the Montreal Symphony Orchestra, Stuttgarter Philharmoniker, Bochumer Symphoniker, Nordwestdeutsche Philharmonie, Berliner Symphoniker, Russian National Orchestra, Svetlanov Symphony Orchestra, Moscow Philharmonic Orchestra, Brussels Philharmonic, Residentie Orchestra The Hague, Bogota Philharmonic, Enescu Philharmonic Bucharest, Budapest Symphony Orchestra Mav, Jerusalem Symphony Orchestra, Symphony Orchestra of the Gran Teatre del Liceu and many more.
At the turn of the millennium Conrad founded Sinfonia Rotterdam, of which he remains chief conductor and artistic director. The orchestra presents successful concert series at de Doelen in Rotterdam, Amare in The Hague and at the Royal Concertgebouw in Amsterdam. Under Conrad’s energetic leadership Sinfonia Rotterdam is regularly invited to perform in venues and festivals around Europe and intercontinentally tours to Mexico, Brazil, Columbia, Chile, China and Russia.
Soloists of the highest calibre hail Conrad for his masterful concerto accompaniments, to mention only a few: Mikhail Pletnev, Maxim Vengerov, Nikolai Lugansky, Ronald Brautigam, Alexei Volodin, Simone Lamsma, Alena Baeva, Alban Gerhardt and Mischa Maisky.
For four years Conrad van Alphen was chief conductor of the Russian State Safonov Philharmonic Orchestra. As former Artist of the Moscow Philharmonic Society he regularly conducted the major Moscow orchestras in the Grand Hall of the Moscow Conservatory and the legendary Tchaikovsky Hall.
Conrad van Alphen was born and bred in South Africa. After moving to The Netherlands at the age of 26 he joined the double bass section of the Netherlands Radio Symphony Orchestra and the Beethoven Academie Antwerp, whilst continuing his conducting studies with Eri Klas and Roberto Benzi.
- Chief Conductor and Artistic Director Sinfonia Rotterdam
- Programmer Festival van Zeeuwsch Vlaanderen
“Bright feast for the senses: Montreal music lovers can boast of having witnessed one of the most brilliant feats of their symphony orchestra, which delivered a performance of rare elegance. The charismatic conductor Conrad van Alphen breathed an impressive breath of fresh air into Rachmaninov’s majestic Second Symphony”
Review Montreal Symphony Orchestra
Conductor | Spain
An inspired and highly sensitive conductor, Tomàs Grau is characterized by his precise and clear gesture and by the sincerity of his musical readings, which seek to transmit the light, delicate emotions of each of the scores, sharing with the audience his love for the music.
He has conducted many international soloists, including Anne-Sophie Mutter, Maria João Pires, Midori, Patricia Kopatchinskaja, Gautier Capuçon, Mischa
Maisky, Javier Perianes, Sabine Meyer,Steven Isserlis, Paul Lewis, Alexei Volodin, Stephen Kovacevich, Alexander Melnikov, Seong-Jin Cho, Mark Padmore and Alice Sara Ott in all the main concert halls in Spain, including the National Auditorium in Madrid, the Auditorio in Zaragoza, the Palau de la Música Catalana and the Auditori in Barcelona, as well as internationally at the Tonhalle in Zurich.
Nowadays, Tomàs is the Chief Conductor and Artistic Director of the Franz Schubert Filharmonia, and he is often invited to conduct other orchestras, such as the Orquesta Nacional de España, Orquesta Filarmónica de Gran Canaria, Orquesta Sinfónica del Principado de Asturias, Orquesta Filarmónica de Málaga, Orquesta Sinfónica de la Región de Murcia, Orquesta de Córdoba, Orquesta Sinfónica de Burgos, Beethoven Philharmonie and Stuttgarter Kammerorchester, among others. He has recorded for labels such as SONY Classical, ARS Produktion (label of the year at the International Classical Music Awards) and Discmedi.
Among his immediate commitments, he will be conducting such soloists as Ivo Pogorelich, Elisabeth Leonskaja, Katia & Marielle Labèque and, once again, Midori. Born in Barcelona in 1979, Tomàs Grau studied music at the Superior Conservatory of Music in his own city. He continued his conducting studies at the Superior School of Music of Catalonia, where he graduated in Orchestral Conducting, with top ratings. His Orchestral Conducting studies were completed in the Wiener Meisterkurse.
Conductor | UK
Described by The London Times at his 1975 piano recital debut as having ‘all the attributes of one of the world’s greatest players’, Papadopoulos has gone on to enjoy an international career both as pianist and conductor.
He has appeared as soloist with and conducted many of the world’s greatest orchestras and worked with a host of eminent musicians including Vladimir Ashkenazy, Anne-Sophie Mutter, Janine Jansen, Evgeny Kissin, Maxim Vengerov, Martha Argerich and Lang Lang. His recordings of the Beethoven sonatas have been set on a level with Schnabel, Brendel, Barenboim and Wilhelm Kempff.
A prolific recording artist, Papadopoulos’s catalogue includes his critically acclaimed Beethoven sonatas, performances of Stravinsky’s Concerto with the Royal Philharmonic Orchestra and the 24 Preludes and Fugues by Shostakovich. He conducts the Oxford Philharmonic in recordings of the Brahms and Sibelius violin concertos with Maxim Vengerov as soloist. As a pianist, he and Vengerov have recorded the complete Brahms violin sonata.
In the summer of 2021, Papadopoulos published his first book – a memoir titled Beyond Dreams and Aspirations: My Journey to Oxford which charts his early career, the creation of the Oxford Philharmonic Orchestra, and his thoughts on musical interpretation.
Papadopoulos is dedicated to nurturing young talent and imparts knowledge to young artists through his vast experience, particularly during the annual Oxford Piano Festival which he founded in 1999. He served on the jury of the Leeds International Piano Competition in 2015, as well as that of the Henryk Wieniawski Violin Competition in 2016.
Marios Papadopoulos holds a doctorate in music and is a Fellow of Keble College, Oxford. In 2010 and was awarded Oxford City’s Certificate of Honour and in 2014 he was awarded an MBE in the Queen’s New Year’s Honours List for services to music in Oxford.
Conductor | Armenia
Sergey Smbatyan is the Artistic Director and Principal Conductor of the Armenian State Symphony Orchestra and the Principal Conductor of the Malta Philharmonic Orchestra. An avid popularizer of classical music, the conductor has an extensive international engagement, and is committed to rejuvenating the classical music audiences and the promotion of contemporary classical music globally.
Born into a family of musicians, Sergey Smbatyan took his first steps in the world of classical music under the guidance of her grandmother Tatyana Hayrapetyan, a distinguished violin teacher, followed by his education at Komitas State Conservatory of Yerevan and Moscow State Tchaikovsky Conservatory.
Subsequently, in 2012, he furthered his academic journey at the Royal Academy of Music, studying under Sir Colin Davis. His studies under the guidance of Riccardo Muti and Valery Gergiev significantly influenced and enhanced his proficiency in conducting.
Sergey Smbatyan's conducting career was highlighted by his debut performance with the London Symphony Orchestra at Windsor Castle, under the auspices of Prince Charles, now HRH Charles III. The impressive success of this concert led to a subsequent invitation, where he conducted the Philharmonia Orchestra at Buckingham Palace.
Sergey Smbatyan's extensive international involvement as a conductor and his distinctive appreciation for contemporary classical music has led to a wide array of collaborations with globally acclaimed composers, such as Krzysztof Penderecki, Tigran Mansuryan, Arvo Pärt, Gia Kancheli, and many others. Among such notable endeavors were the large-scale projects conducted with John Malkovich in several countries of Latin America and Asia. Led by Sergey Smbatyan and accompanied by the Armenian State Symphony Orchestra, the iconic Hollywood artist delivered a unique musical performance in Yerevan, presenting a reading of excerpts from “The Book of Lamentations” by the medieval Armenian poet Grigor Narekatsi.
The conductor serves as the artistic director of a number of annual music festivals, as well as the Khachaturian International Competition, to which the category of conducting was introduced through Sergey Smbatyan's initiative. Among the festivals founded by Sergey Smbatyan are the Khachaturian International Festival, which aims to uphold the legacy of Aram Khachaturian and other famous Armenian composers, the "Armenia" International Music Festival, which hosts world-renowned virtuoso musicians to perform in Armenia, the Penderecki Contemporary Music Festival, which showcases the works of contemporary legendary composers, and others.
Sergey Smbatyan is the founder of the "Music for Future Foundation (M4FF)”, which is committed to discovering young talented musicians and fostering their career advancement.
He strives to champion innovative approaches in the classical music industry, consistently seeking creative ideas and solutions in implementing various projects. During the opening ceremony of "WCIT 2019," the largest IT Congress for innovators and entrepreneurs, hosted in Armenia, an international orchestra performed an AI real-time-composed musical piece under the direction of Sergey Smbatyan.
Sergey Smbatyan releases recordings with the Armenian State Symphony Orchestra on their own "ArmSymphony Records" label and is actively involved in recording contemporary classical music with the London Symphony Orchestra and other orchestras. His recent engagements include the album of spiritual music "Ave Maria" recorded with the Malta Philharmonic Orchestra and the world-renowned tenor Joseph Calleja, released under the "DECCA Records" label, the album “Aznavouriana” by Deutsche Grammophon with the Armenian State Symphony Orchestra and cellist Camille Thomas in commemoration of French-Armenian singer and composer Charles Aznavour’s 100th anniversary.
In recent concert seasons, Sergey Smbatyan has served as a guest conductor with leading orchestras, including the London Symphony Orchestra, the Philharmonia Orchestra, the Warsaw Philharmonic Orchestra, the Dresden Philharmonic Orchestra, the Israel Philharmonic Orchestra, the Prague Radio Symphony Orchestra, the Mariinsky Theater Symphony Orchestra, the Slovak Philharmonic Orchestra, and many others.
As the conductor of the Malta Philharmonic Orchestra, Sergey Smbatyan embarked on numerous concert tours and performed at prestigious venues such as Carnegie Hall in New York, the Kimmel Center in Philadelphia, the Munich’s Gasteig , Vienna’s Musikverein, the Berliner Philharmonie, and other renowned concert halls.
In 2023, he led the Armenian State Symphony Orchestra on a grand UK tour, dedicated to Aram Khachaturian’s 120th anniversary and in 2024 on the orchestra’s debut tour in the United States with the performances at Boston’s Symphony Hall, New York City’s Carnegie Hall, and Los Angeles Music Center’s Walt Disney Concert Hall.
Highlights of 2024/25 season include concerts with the Madrid Philharmonic Orchestra, the Ontario Philharmonic Orchestra, the Krakow Philharmonic Orchestra, and the Shanghai Philharmonic Orchestra as well as performances at Salle Gaveau and the Cité de la Musique of the Paris Philharmonie with the Armenian State Symphony Orchestra featuring French and Armenian composers.
Up until the 2024/25 season, Sergey Smbatyan will be Principal Guest Conductor of Berlin Symphony.
Sergey Smbatyan holds the title of Honoured Artist of the Republic of Armenia and the title of “Chevalier of Arts and Letters” of France.
Sergey Smbatyan was appointed as a UNICEF National Ambassador in 2023.
Conductor | France
Lionel Bringuier has already travelled extensively across the globe at the invitation of symphonies, chamber orchestras and opera houses, and in the 2023/24 season he continues the position of Artiste Associé in his hometown with Orchestre Philharmonique de Nice. This unique appointment gives him the opportunity to curate a series of special programmes which he will also conduct, and to invite several of his closest musical partners, which in this season include Khatia Buniatishvili, Philippe Bianconi, Daniel Müller-Schott, Renaud Capuçon and Alexandre Tharaud.
Very well-known across Europe and most recently having served as Music Director of Tonhalle-Orchester Zürich (2014–18), Bringuier has held previous posts at Orquesta Sinfónica de Castilla y León in Valladolid, Orchestre de Bretagne and Ensemble Orchestral de Paris. Bringuier’s relationship with Los Angeles Philharmonic from 2007-2013 started with position of a first assistant conductor to Esa-Pekka Salonen at the age of 21, and developed into a role of associate conductor and later resident conductor – as the first person to hold this title in the orchestra's history. The 2023/24 season will feature concerts with Orchestre Philharmonique Royal de Liège, Dresden Philharmonie, Antwerp Symphony Orchestra and Orchestre National de Metz. Other highlights of this season include USA engagements with San Diego Symphony Orchestra and Colburn School Orchestra, as well as BBC National Orchestra of Wales, Polish National Radio Symphony Orchestra, and Paris Conservatoire Orchestra.
Over the past decade, Bringuier’s work across North America has developed a strong relationship with many orchestras, including Houston Symphony and at the Aspen Music Festival in the 2021/22 season. He has also worked extensively in Asia, conducting Tokyo Symphony Orchestra regularly and working with Seoul and Malaysian Philharmonic Orchestras. In 2019, he returned to Australia with a programme of Russian music with Sydney Symphony Orchestra and conducted a French programme with West Australian Symphony Orchestra in Perth.
Bringuier regularly collaborates with Yuja Wang, with whom he has recorded the Ravel Piano Concerto for Deutsche Grammophon as part of a complete cycle of the composer’s works. Other recordings include Chopin with Nelson Freire (DG) and Saint-Saëns with Renaud Capuçon and Gautier Capuçon (Erato) who are also regular partners. He works closely with some of the finest instrumentalists in the world, including Lisa Batiashvili, Anne-Sophie Mutter, Yefim Bronfman, Emanuel Ax, Leif Ove Andsnes and Janine Jansen.
Bringuier comes from a family of musicians and studied cello and conducting at the Conservatoire de Paris, winning the prestigious International Besançon Competition for Young Conductors only a year after graduating. He cares passionately about education, outreach, and developing the careers of emerging conductors and soloists. In September 2020 he served on the jury of La Maestra, the first international conducting competition for women, and continues to work with local schools in his hometown of Nice to introduce children to classical music and orchestral experiences.
Conductor | Switzerland
Pianist, conductor, and composer, Mikhail Pletnev is one of the most respected and influential artists of the era. His prodigious talent as a pianist has earned widespread acclaim ever since the 1978 Tchaikovsky International Piano Competition, where he won First Prize at the age of 21. An invitation to perform at a 1988 diplomatic summit in Washington led to Pletnev’s friendship with Mikhail Gorbachev and a lifelong commitment to dismantling barriers through the universal language of music.
In 1990, Pletnev formed the Russian National Orchestra – the first independent orchestra in Russia’s history. Under his leadership, the RNO achieved recognition as one of the world’s great orchestras.
Over thirty years later, Pletnev has renewed his commitment to artistic freedom with his founding of the Rachmaninoff International Orchestra, named after the celebrated pianist, conductor, and composer whose own career inspired audiences from all corners of the globe.
Pletnev’s performances and recordings have shown him to be an outstanding interpreter of an extensive repertoire, both as a pianist and conductor. His recordings have earned numerous prizes, including a 2005 Grammy Award for his own arrangement of Prokofiev’s Cinderella. He received Grammy nominations for Schumann’s Symphonic Etudes (2004) and the Rachmaninoff and Prokofiev Piano Concertos No. 3 (2003). His critically acclaimed album of Scarlatti’s Sonatas (Virgin/ EMI) received a 1996 Gramophone Award, and his recording of the complete Beethoven symphonies and piano concertos (Deutsche Grammophon) was named “Best of 2007” by the NewYorker.
Pianist, conductor, composer, and cultural leader – all are significant facets of Mikhail Pletnev’s remarkable life. Yet with his characteristic humility, he insists that he is, simply, a musician.
Spain
The Franz Schubert Filharmonia has enjoyed a great reception from the audience since its inception, both for its artistic quality and for the relevance of its programmes.
Formed by a new generation of the best musicians in the country who perform under the inspired direction of Tomàs Grau, Music Director and Founder, the orchestra has collaborated with such soloists as Anne-Sophie Mutter, Maria João Pires, Joshua Bell, Mischa Maisky, Midori, Ivo Pogorelich, Patricia Kopatchinskaja, Rudolf Buchbinder, Elisabeth Leonskaja, Stephen Kovacevich, Gautier Capuçon, Sabine Meyer, Steven Isserlis, Paul Lewis, Alexei Volodin, Roberto Alagna, Mark Padmore, Seong-Jin Cho, Alice Sara Ott, Javier Perianes, Ainhoa Arteta, Asier Polo, Leticia Moreno, Pablo Ferrández, Judith Jáuregui and Iván Martín.
The Franz Schubert Filharmonia has also worked with such conductors as Josep Pons, Rinaldo Alessandrini, Antoni Ros Marbà, Gábor Takács-Nagy, Salvador Mas, Pablo González, Edmon Colomer, Paul Agnew, Guillermo García Calvo, Thomas Rösner, Virginia Martínez, Jordi Mora, Josep Caballé Domenech, Marzio Conti and Salvador Brotons, among others.
The orchestra has performed in such venues as the Carnegie Hall in New York, Auditorio Nacional de Música in Madrid, Palau de la Música Catalana in Barcelona, Gran Teatre del Liceu, L’Auditori de Barcelona, Auditorio de Zaragoza, Palacio Euskalduna in Bilbao and Palau de les Arts in Valencia, and has made concert tours in the United States, Germany, Switzerland and the Czech Republic.
The Franz Schubert Filharmonia performs its subscription seasons in Barcelona, Tarragona and Lleida, and since 2009 has had the honour of being the resident orchestra of El Vendrell, the birthplace of the maestro Pablo Casals.
The orchestra has recorded several albums, among which we can highlight Alba Eterna, an opera by the composer Albert Guinovart and produced by the Sony Classical label, and Die Romantische Seele with the pianist Judith Jáuregui, produced by the label ARS Produktion, winner of the International Classical Music Awards, and nominated for the Opus Klassik Awards.
Japan
In 2023, the Tokyo Philharmonic Orchestra celebrates its 112th anniversary of Japan’s first symphony orchestra. With about 160 musicians, TPO performs both symphonies and operas regularly. TPO is proud to have appointed Maestro Myung-Whun Chung, who has been conducting TPO since 2001, as Honorary Music Director, Maestro Andrea Battistoni as Chief Conductor and Maestro Mikhail Pletnev as Special Guest Conductor.
TPO has established its world-class reputation through its subscription concert series, regular opera and ballet assignments at the New National Theatre, and a full, ever in-demand agenda around Japan and the world, including broadcasting with NHK Broadcasting Corporation, various educational programs, and tours abroad. While Tokyo Phil is a frequent recipient of the ACA National Arts Festival Award in Japan, its recordings have been highly acclaimed internationally, winning the "OPUS KLASSIK 2021" award in the symphonic category (20th-21st century).
TPO has partnerships with Bunkamura Orchard Hall, the Bunkyo Ward in Tokyo, Chiba City, Karuizawa Cho in Nagano and Nagaoka City in Niigata.
The Tokyo Philharmonic Orchestra has the longest history and tradition of any orchestra in Japan, having been originally established in Nagoya in 1911. It is currently the largest orchestra in Japan with 166 members and is distinguished for its active and varied schedule embracing symphonic concerts, opera and ballet.
After moving its base to Tokyo in 1938 the orchestra played a pivotal role in bringing authentic opera to the Japanese public under Chief conductor Manfred Gurlitt (1890-1972.) Shortly after the war, the orchestra became a fully independent organization and changed its name to the Tokyo Philharmonic Orchestra focusing on subscription concerts, opera and ballet while also pursuing an active broadcasting program with NHK.
Tokyo Philharmonic Orchestra performs regularly at Tokyo's most distinguished Suntory and Orchard Halls and at Tokyo Opera City where it has its base. The orchestra has received many awards and honors, including the Ongaku No Tomo Sha Prize (1984), the Agency for Cultural Affairs "Art Festival Prize"(1986) and "Art Festival Grand Prize" (1995). Furthermore, the orchestra has been designated as one of the organizations for the Agency for Cultural Affairs "Special Program to Artistic Creativity". From 1997 it became the regular orchestra at Tokyo's New National Theatre.
In 1999, Norio Ohga, Chairman of SONY Corporation, was appointed Chairman of the Tokyo Philharmonic Orchestra. In 2001, with visions of further growth, the Tokyo Philharmonic Orchestra merged with the Japan Shinsei Symphony Orchestra.
From 2001, Myung-Whun Chung has been the Special Artistic Advisor of Tokyo Philharmonic Orchestra. Under his guidance the Orchestra carries out regular subscription concerts at Orchard Hall and Suntory Hall in Tokyo and opera and ballet performances at the New National Theatre while also continuing a varied broadcasting and special concert program.
In 2011 Mr. Ryoji Chubachi, Vice Chairman, Representative Corporate Executive Officer of Sony Corporation,assumed the position of the Tokyo Philharmonic's President, and Hiroshi Mikitani, Chairman and CEO of Rakuten, Inc., became Chairman.
In 2012, the Tokyo Philharmonic Orchestra's 100th Anniversary Special Concert, conducted by Myung-Whun Chung, was held at Suntory Hall.
The Orchestra regularly performs in regions outside Tokyo and engages in regional cultural exchange and education programs. Tokyo Philharmonic has carried out 3 well-received European tours and is regarded as an upcoming world-class orchestra.
